外音小说中全球移民时代的身份协商

Moh Zaimil Alivin
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摘要

全球化和移民导致的文化结构的巨大变化具有复杂的特性。最近,来自世界各地的移民人数增加,特别是来自中东和穆斯林国家的移民面临各种冲突。因此,身份谈判变得不可避免,尤其是对移民而言。在21世纪初的文学作品中,身份协商经常被作为一个潜在问题提出。这样的一个时代成为外传小说中描写移民的一个值得研究的课题。外来语指的是用母语以外的语言写作和创作文学作品。本文分析了外音作家所写的小说:卡勒德·胡塞尼的《追风筝的人》(2003),埃利夫·沙法克的《伊斯坦布尔的私生子》(2006),以及莫辛·哈米德的《不情愿的原教旨主义者》(2007)。本文以霍米·k·巴巴的文化认同为背景,着重分析穆斯林散居海外的角色所经历的身份协商。本研究揭示了身份谈判经常发生在权力关系的背景下,并且偶尔会出现霸权主义。认同谈判过程的复杂性不仅发生在对立文化或文明的交叉点,也发生在政治和权力关系的交叉点,这一事实支持了这一概念。
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Identity Negotiation in the Age of Global Migration in Exophonic Novels
The vast changing of the cultural structure caused by globalization and migration has a complicated identity. A higher number of migrants from numerous parts of the world has arisen lately, especially from Middle Eastern and Muslim countries facing various conflicts. Negotiating identities, thus, becomes inevitable, particularly for migrants. Identity negotiation has been frequently raised as an underlying issue in early 2000s literary works. Such an era becomes a worth researching topic on migration as portrayed in exophonic novels. Exophony refers to writing and producing literary works in a language that is not one’s mother tongue. The article covers the analysis of novels written by exophonic writers: Khaled Hosseini’s The Kite Runner (2003), Elif Shafak’s The Bastard of Istanbul (2006), and Mohsin Hamid’s The Reluctant Fundamentalist (2007). The analysis focuses on identity negotiation experienced by Muslim diaspora characters by employing Homi K. Bhabha’s cultural identity. This study reveals that identity negotiation often occurs in the context of power relations and can occasionally be hegemonizing. This notion is backed by the fact that the complexity of the identity negotiation process occurs not only at the intersection of opposed cultures or civilizations but also at the intersection of politics and power relations.
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