《大自然的尖叫》和《寄生蜂:马克·吐温、神正论和自然之战》

Pub Date : 2019-10-24 DOI:10.5325/marktwaij.17.1.0112
H. Bush
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引用次数: 0

摘要

摘要:在苏茜英年早逝后,马克和李维对丁尼生的哀歌《悼念》的痴迷,与那个时代许多其他失去亲人的父母一样:它已成为19世纪最杰出的“悲伤之书”。这首诗有力地抓住了这个世纪日益增长的精神幻灭和不确定性,它对自然潜在暴力的描述为达尔文在《物种起源》一书中“自然之战”的隐喻埋下了阴影。本文从三个相关的兴趣领域着手:首先,简要概述了自然之战的隐喻及其在吐温之前的使用;其次,看一看这一概念是如何在他的各种书面作品中体现出来的;第三,简要展望一下在马克·吐温之后的文学作品中,尤其是科马克·麦卡锡,自然之战的隐喻是如何继续被运用的。
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“Nature Shrieking” and Parasitic Wasps: Mark Twain, Theodicy, and the War of Nature
Abstract:After Susy’s untimely demise, Mark and Livy’s near obsession with Tennyson’s elegy “In Memoriam” was similar to that of many other bereaved parents of the era: it had become the preeminent “grieving book” of the nineteenth century. The poem powerfully captures the growing spiritual disillusionment and uncertainty of the century, and its depiction of the underlying violence of nature foreshadowed Darwin’s “war of nature” metaphor in his book On the Origin of Species. This article proceeds into three areas of related interest: first, a brief genealogy of the war of nature metaphor and its use prior to Twain; second, a look at how this concept is manifested in various written works of his; and third, a brief look forward at how the war of nature metaphor has continued to be deployed in literary works after Mark Twain—especially by Cormac McCarthy.
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