{"title":"爪哇神秘、现代性与伊斯兰主义:伊曼·布迪·桑托萨作品中的激进主题","authors":"Angga Trio Sanjaya","doi":"10.26499/surbet.v18i1.4581","DOIUrl":null,"url":null,"abstract":"The purpose of this study is to examine the resistance of Javanese mysticism in the face of modernity and Islamism in the life of Iman Budhi Santosa as well as to analyze the emergence of radical subjects in the context of his poetry. This research uses a descriptive approach with Fairclough's Critical Discourse Analysis (AWK). Data collection techniques in this study apply the observing method, advanced note-taking techniques, and document review techniques. The results of the research show that (1) a study of the text dimension shows that there is a referential action towards the Javanese mystical tradition through metaphors in the poems of Iman Budhi Santosa; (2) The study of the dimensions of discursive practice shows that the aspect of text production in Iman Budhi Santosa's work departs from Javanese literature, especially Javanese mysticism; (3) The study of the dimensions of social praxis shows that there is a form of Javanese mystical resistance to modernist and Islamist discourses as well as radical actions carried out through 'moments of emptiness'. Based on the results, this research is important as part of linguistic research which eclecticly accommodates various perspectives and discourses, especially Critical Discourse Analysis (AWK), poststructuralist, radical psychoanalysis, and modernity discourse.AbstrakTujuan dari penelitian ini adalah menelaah resistensi mistik Jawa dihadapan modernitas dan Islamisme dalam kehidupan Iman Budhi Santosa sekaligus menganalisis munculnya subjek radikal dalam konteks kepenyairannya. Metode penelitian ini menggunakan diskriptif dengan pendekatan Analisis Wacana Kritis (AWK) Fairclough. Teknik Pengumpulan data dalam penelitian ini menerapkan metode simak dan teknik lanjutan catat, dan teknik telaah dokumen. Hasil penelitian menunjukkan bahwa (1) Telaah terhadap dimensi teks menunjukkan adanya tindakan referensial terhadap tradisi mistik Jawa melalui metafora dalam puisi-puisi Iman Budhi Santosa; (2) Telaah terhadap dimensi praktik diskursif menunjukkan aspek produksi teks dalam karya Iman Budhi Santosa berangkat dari kepustakaan Jawa khsusnya mistik Jawa; (3) Telaah dimensi praksis sosial menunjukkan adanya bentuk resistensi mistik Jawa terhadap wacana modernistas dan islamisme serta tindakan radikal yang dilakukan melalui ‘momen kekosongan’. Berdasarkan hasil pembahasan, penelitian ini penting keberadaanya sebagai bagian dari penelitian linguistik yang secara eklektis mengakomodir berbagai perspektif dan wacana khususnya Analisis Wacana Kritis (AWK), postrukturalis, psikoanalisis radikal, maupun wacana modernitas.","PeriodicalId":34821,"journal":{"name":"Suar Betang","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Javanese Mystique, Modernity, and Islamism: Radical Subjects in the Works of Iman Budhi Santosa\",\"authors\":\"Angga Trio Sanjaya\",\"doi\":\"10.26499/surbet.v18i1.4581\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The purpose of this study is to examine the resistance of Javanese mysticism in the face of modernity and Islamism in the life of Iman Budhi Santosa as well as to analyze the emergence of radical subjects in the context of his poetry. This research uses a descriptive approach with Fairclough's Critical Discourse Analysis (AWK). Data collection techniques in this study apply the observing method, advanced note-taking techniques, and document review techniques. The results of the research show that (1) a study of the text dimension shows that there is a referential action towards the Javanese mystical tradition through metaphors in the poems of Iman Budhi Santosa; (2) The study of the dimensions of discursive practice shows that the aspect of text production in Iman Budhi Santosa's work departs from Javanese literature, especially Javanese mysticism; (3) The study of the dimensions of social praxis shows that there is a form of Javanese mystical resistance to modernist and Islamist discourses as well as radical actions carried out through 'moments of emptiness'. Based on the results, this research is important as part of linguistic research which eclecticly accommodates various perspectives and discourses, especially Critical Discourse Analysis (AWK), poststructuralist, radical psychoanalysis, and modernity discourse.AbstrakTujuan dari penelitian ini adalah menelaah resistensi mistik Jawa dihadapan modernitas dan Islamisme dalam kehidupan Iman Budhi Santosa sekaligus menganalisis munculnya subjek radikal dalam konteks kepenyairannya. Metode penelitian ini menggunakan diskriptif dengan pendekatan Analisis Wacana Kritis (AWK) Fairclough. Teknik Pengumpulan data dalam penelitian ini menerapkan metode simak dan teknik lanjutan catat, dan teknik telaah dokumen. Hasil penelitian menunjukkan bahwa (1) Telaah terhadap dimensi teks menunjukkan adanya tindakan referensial terhadap tradisi mistik Jawa melalui metafora dalam puisi-puisi Iman Budhi Santosa; (2) Telaah terhadap dimensi praktik diskursif menunjukkan aspek produksi teks dalam karya Iman Budhi Santosa berangkat dari kepustakaan Jawa khsusnya mistik Jawa; (3) Telaah dimensi praksis sosial menunjukkan adanya bentuk resistensi mistik Jawa terhadap wacana modernistas dan islamisme serta tindakan radikal yang dilakukan melalui ‘momen kekosongan’. Berdasarkan hasil pembahasan, penelitian ini penting keberadaanya sebagai bagian dari penelitian linguistik yang secara eklektis mengakomodir berbagai perspektif dan wacana khususnya Analisis Wacana Kritis (AWK), postrukturalis, psikoanalisis radikal, maupun wacana modernitas.\",\"PeriodicalId\":34821,\"journal\":{\"name\":\"Suar Betang\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-06-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Suar Betang\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.26499/surbet.v18i1.4581\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Suar Betang","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26499/surbet.v18i1.4581","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本研究旨在探讨爪哇神秘主义在面对现代性和伊斯兰主义时,在伊曼·布迪·桑托萨的生活中的抵抗,并分析激进主题在其诗歌语境中的出现。本研究采用费尔克劳的批评话语分析(AWK)的描述方法。本研究的资料收集技术采用观察法、先进的笔记技术和文件审查技术。研究结果表明:(1)文本维度的研究表明,伊曼·布迪·桑托萨诗歌中存在通过隐喻对爪哇神秘主义传统的指称作用;(2)话语实践维度的研究表明,伊曼·布迪·桑托萨作品的文本生产方面偏离了爪哇文学,特别是爪哇神秘主义;(3)对社会实践维度的研究表明,爪哇人对现代主义和伊斯兰主义话语的神秘抵抗形式,以及通过“空虚时刻”进行的激进行动。基于研究结果,本研究是语言学研究的重要组成部分,它兼收并蓄地容纳了各种观点和话语,特别是批评话语分析(AWK)、后结构主义、激进精神分析和现代性话语。【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】【摘要】方法:在蒙古那肯的磁盘上,登革和彭德康的分析。数据来源:中国气象局数据来源:中国气象局数据来源:中国气象局(1)爪哇语:爪哇语:metafora dalam puisi-puisi Iman Budhi Santosa;(2)印尼语印尼语印尼语印尼语印尼语印尼语印尼语印尼语印尼语印尼语印尼语印尼语印尼语印尼语(3)现代主义与伊斯兰主义的对立,激进主义与现代主义的对立,与现代主义的对立。“后结构分析者”、“激进的”、“现代的”、“现代的”。
Javanese Mystique, Modernity, and Islamism: Radical Subjects in the Works of Iman Budhi Santosa
The purpose of this study is to examine the resistance of Javanese mysticism in the face of modernity and Islamism in the life of Iman Budhi Santosa as well as to analyze the emergence of radical subjects in the context of his poetry. This research uses a descriptive approach with Fairclough's Critical Discourse Analysis (AWK). Data collection techniques in this study apply the observing method, advanced note-taking techniques, and document review techniques. The results of the research show that (1) a study of the text dimension shows that there is a referential action towards the Javanese mystical tradition through metaphors in the poems of Iman Budhi Santosa; (2) The study of the dimensions of discursive practice shows that the aspect of text production in Iman Budhi Santosa's work departs from Javanese literature, especially Javanese mysticism; (3) The study of the dimensions of social praxis shows that there is a form of Javanese mystical resistance to modernist and Islamist discourses as well as radical actions carried out through 'moments of emptiness'. Based on the results, this research is important as part of linguistic research which eclecticly accommodates various perspectives and discourses, especially Critical Discourse Analysis (AWK), poststructuralist, radical psychoanalysis, and modernity discourse.AbstrakTujuan dari penelitian ini adalah menelaah resistensi mistik Jawa dihadapan modernitas dan Islamisme dalam kehidupan Iman Budhi Santosa sekaligus menganalisis munculnya subjek radikal dalam konteks kepenyairannya. Metode penelitian ini menggunakan diskriptif dengan pendekatan Analisis Wacana Kritis (AWK) Fairclough. Teknik Pengumpulan data dalam penelitian ini menerapkan metode simak dan teknik lanjutan catat, dan teknik telaah dokumen. Hasil penelitian menunjukkan bahwa (1) Telaah terhadap dimensi teks menunjukkan adanya tindakan referensial terhadap tradisi mistik Jawa melalui metafora dalam puisi-puisi Iman Budhi Santosa; (2) Telaah terhadap dimensi praktik diskursif menunjukkan aspek produksi teks dalam karya Iman Budhi Santosa berangkat dari kepustakaan Jawa khsusnya mistik Jawa; (3) Telaah dimensi praksis sosial menunjukkan adanya bentuk resistensi mistik Jawa terhadap wacana modernistas dan islamisme serta tindakan radikal yang dilakukan melalui ‘momen kekosongan’. Berdasarkan hasil pembahasan, penelitian ini penting keberadaanya sebagai bagian dari penelitian linguistik yang secara eklektis mengakomodir berbagai perspektif dan wacana khususnya Analisis Wacana Kritis (AWK), postrukturalis, psikoanalisis radikal, maupun wacana modernitas.