时光倒流:基里尔·里亚博夫与超现代主义

Q4 Arts and Humanities Voprosy Literatury Pub Date : 2023-08-14 DOI:10.31425/0042-8795-2023-1-43-64
A. Zhuchkova
{"title":"时光倒流:基里尔·里亚博夫与超现代主义","authors":"A. Zhuchkova","doi":"10.31425/0042-8795-2023-1-43-64","DOIUrl":null,"url":null,"abstract":"Following an analysis of Kirill Ryabov’s works published in the years 2021 and 2022, the author finds that in Ryabov’s metamodernist aesthetic paradigm the modernist communicative model is preserved alongside some concepts of postmodernist aesthetics. Modernism, postmodernism and metamodernism appear as three stages of the single itinerary with a goal of overcoming the logic of binary oppositions and achieving heteroglossia and dialogue (M. Bakhtin) as a new artistic structure. Through the re-introduction of the depth of emotion and the humanistic dimension, metamodernism strives to comprehend the systemic integrity of the universe. The same agenda characterises Ryabov’s books which show people in their systemic relationships with their own egos, society, the world, and God. The aesthetics of Ryabov’s metamodernist text is defined by such parameters as the abandonment of a clearcut opinion of the author or the protagonist in favour of a dialogue with the reader, reliance on a myth, the concept of a ‘void,’ minimalism, experimentation with the word’s inner form, and the use of mass literature techniques.","PeriodicalId":52245,"journal":{"name":"Voprosy Literatury","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Time recovered: Kirill Ryabov and metamodernism\",\"authors\":\"A. Zhuchkova\",\"doi\":\"10.31425/0042-8795-2023-1-43-64\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Following an analysis of Kirill Ryabov’s works published in the years 2021 and 2022, the author finds that in Ryabov’s metamodernist aesthetic paradigm the modernist communicative model is preserved alongside some concepts of postmodernist aesthetics. Modernism, postmodernism and metamodernism appear as three stages of the single itinerary with a goal of overcoming the logic of binary oppositions and achieving heteroglossia and dialogue (M. Bakhtin) as a new artistic structure. Through the re-introduction of the depth of emotion and the humanistic dimension, metamodernism strives to comprehend the systemic integrity of the universe. The same agenda characterises Ryabov’s books which show people in their systemic relationships with their own egos, society, the world, and God. The aesthetics of Ryabov’s metamodernist text is defined by such parameters as the abandonment of a clearcut opinion of the author or the protagonist in favour of a dialogue with the reader, reliance on a myth, the concept of a ‘void,’ minimalism, experimentation with the word’s inner form, and the use of mass literature techniques.\",\"PeriodicalId\":52245,\"journal\":{\"name\":\"Voprosy Literatury\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-08-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Voprosy Literatury\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31425/0042-8795-2023-1-43-64\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Voprosy Literatury","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31425/0042-8795-2023-1-43-64","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

摘要

通过对基里尔·里亚博夫在2021年和2022年发表的作品的分析,作者发现,在里亚博夫的超现代主义美学范式中,现代主义的交际模式与后现代主义美学的一些概念一起得到了保留。现代主义、后现代主义和超现代主义作为单一路线的三个阶段出现,其目的是克服二元对立的逻辑,实现异质性和对话(巴赫金)作为一种新的艺术结构。通过重新引入情感的深度和人文维度,超现代主义努力理解宇宙的系统完整性。里亚博夫的书中也有同样的议程,这些书展示了人们与自我、社会、世界和上帝的系统关系。里亚博夫超现代主义文本的美学是由以下参数定义的:放弃作者或主人公的清晰观点,转而与读者对话,依赖神话,“空虚”的概念,极简主义,对单词内部形式的实验,以及大众文学技术的使用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Time recovered: Kirill Ryabov and metamodernism
Following an analysis of Kirill Ryabov’s works published in the years 2021 and 2022, the author finds that in Ryabov’s metamodernist aesthetic paradigm the modernist communicative model is preserved alongside some concepts of postmodernist aesthetics. Modernism, postmodernism and metamodernism appear as three stages of the single itinerary with a goal of overcoming the logic of binary oppositions and achieving heteroglossia and dialogue (M. Bakhtin) as a new artistic structure. Through the re-introduction of the depth of emotion and the humanistic dimension, metamodernism strives to comprehend the systemic integrity of the universe. The same agenda characterises Ryabov’s books which show people in their systemic relationships with their own egos, society, the world, and God. The aesthetics of Ryabov’s metamodernist text is defined by such parameters as the abandonment of a clearcut opinion of the author or the protagonist in favour of a dialogue with the reader, reliance on a myth, the concept of a ‘void,’ minimalism, experimentation with the word’s inner form, and the use of mass literature techniques.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Voprosy Literatury
Voprosy Literatury Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
110
期刊最新文献
Shapiro, J. (2022). 1599, A year in the life of William Shakespeare. Translated by E. Lutsenko. Afterword by E. Lutsenko. Ed. by Y. Fridstein. Moscow: Tsentr knigi Rudomino. (In Russ.) A railway modernity. Izmalkovo train station in Ivan Bunin’s work Evocations of Nekrasov’s trench prose in Elena Rzhevskaya’s novellas Klim Samgin and an encyclopaedic genius of the era. On Gorky’s God-building pursuit Smirnova, N. (2023). Literary fragment and unfinishable text: Conception and reading. Moscow: Kanon-Plyus. (In Russ.)
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1