{"title":"《辉煌世纪》(土耳其电视剧,2011-2014)中波兰流散女性年轻观众的自我身份标志","authors":"Deniz Özalpman","doi":"10.1177/13675494231189243","DOIUrl":null,"url":null,"abstract":"This study focuses on young Polish viewers living in Vienna, the capital city of Austria, and their reception of Turkish television series. This is an under-researched audience group. The analysis gives voice to viewers’ comments through the use of semi-structured interviews to gain deep insight into their viewer experiences. The study introduces another, less-studied component of analysis by scrutinising the ways in which audiences deploy the media text of Turkish series in defining markers of their own self-identities. The analysis of this reveals ways in which viewers were able to negotiate their placement in diasporic lands and in cultural imaginaries.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":" ","pages":""},"PeriodicalIF":1.9000,"publicationDate":"2023-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Markers of self-identities for young Polish diasporic female viewers of The Magnificent Century (Turkish TV series, 2011–2014)\",\"authors\":\"Deniz Özalpman\",\"doi\":\"10.1177/13675494231189243\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This study focuses on young Polish viewers living in Vienna, the capital city of Austria, and their reception of Turkish television series. This is an under-researched audience group. The analysis gives voice to viewers’ comments through the use of semi-structured interviews to gain deep insight into their viewer experiences. The study introduces another, less-studied component of analysis by scrutinising the ways in which audiences deploy the media text of Turkish series in defining markers of their own self-identities. The analysis of this reveals ways in which viewers were able to negotiate their placement in diasporic lands and in cultural imaginaries.\",\"PeriodicalId\":47482,\"journal\":{\"name\":\"European Journal of Cultural Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":1.9000,\"publicationDate\":\"2023-07-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Journal of Cultural Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1177/13675494231189243\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Journal of Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/13675494231189243","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Markers of self-identities for young Polish diasporic female viewers of The Magnificent Century (Turkish TV series, 2011–2014)
This study focuses on young Polish viewers living in Vienna, the capital city of Austria, and their reception of Turkish television series. This is an under-researched audience group. The analysis gives voice to viewers’ comments through the use of semi-structured interviews to gain deep insight into their viewer experiences. The study introduces another, less-studied component of analysis by scrutinising the ways in which audiences deploy the media text of Turkish series in defining markers of their own self-identities. The analysis of this reveals ways in which viewers were able to negotiate their placement in diasporic lands and in cultural imaginaries.
期刊介绍:
European Journal of Cultural Studies is a major international, peer-reviewed journal founded in Europe and edited from Finland, the Netherlands, the UK, the United States and New Zealand. The journal promotes a conception of cultural studies rooted in lived experience. It adopts a broad-ranging view of cultural studies, charting new questions and new research, and mapping the transformation of cultural studies in the years to come. The journal publishes well theorized empirically grounded work from a variety of locations and disciplinary backgrounds. It engages in critical discussions on power relations concerning gender, class, sexual preference, ethnicity and other macro or micro sites of political struggle.