亚历杭德罗·赞布拉(Alejandro Zambra)的《数字档案》和《智利创伤过去的代际清算》(2014年)和《智利之梦》(2020年)

IF 0.3 4区 社会学 Q4 CULTURAL STUDIES Journal of Latin American Cultural Studies Pub Date : 2022-07-26 DOI:10.1080/13569325.2022.2093173
W. R. Benner
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引用次数: 0

摘要

在皮诺切特(Pinochet)政权时期长大的孩子们转向文学、电影和数字媒体,以应对国家支持的恐怖活动带来的物质和非物质后果。迄今为止,缺乏对数字存档如何影响南锥体见证文献的关键关注。亚历杭德罗·赞布拉因其深刻的叙事而获得国际赞誉,这些叙事探索了代际记忆的斗争和后独裁时代孤立的寓言。这篇文章考察了他最近的作品,因为他们转向电脑、互联网、数字档案,并将它们作为交流创伤的代际手段。赞布拉和读者可以一起思考数字档案对智利记忆斗争的可能性和局限性。
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Digital Archives and Intergenerational Reckoning with Chile’s Traumatic Past In Mis documentos (2014) and Poeta chileno (2020) by Alejandro Zambra
The children who grew up during the Pinochet regime have turned to literature, film, and digital media to reckon with the material and immaterial consequences of state-sponsored terror. To date, there is a dearth of critical attention on how digital archiving influences testimonial literature in the Southern Cone. Alejandro Zambra has received international acclaim for his insightful narratives that explore intergenerational memory struggles and allegories of post-dictatorship isolation. This article examines his more recent works as they turn to the computer, the Internet, digital archives, and use them as a generational means to communicate trauma. Together, Zambra and the reader can contemplate the possibilities and limitations that digital archives have and will have for Chile’s memory struggles.
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