测量即感受:中古英语米制文物的数学

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES Pub Date : 2022-05-01 DOI:10.1215/10829636-9687858
Valerie Allen
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引用次数: 0

摘要

基督徒的虔诚通常集中在神圣的测量上,比如基督的身高、侧伤和刺穿他的钉子。这篇文章的重点是发生在英语手稿,主要是从14世纪晚期到16世纪中期。虔诚的人触摸、亲吻、观看并佩戴这些按比例或真人大小绘制的措施,以期在生活中得到保护或死后得到放纵。这些度量文物是根据中世纪测量的数学来考虑的,中世纪测量基本上包括将一个物体放在另一个物体上以提供某种比例或关系。没有一个文本护身符提供离散的统计数据,而是需要测量操作,例如将长度乘以十五倍,从而将崇拜者置于测量者的位置。通过想象性地测量伤口和指甲,就像在激情节上一样,信徒们即使触摸也会进行审问。
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To Measure Is to Feel: The Mathematics of Middle English Metric Relics
Christian devotion often focused on holy measurements such as those of Christ's height, side wound, and the nails that pierced him. This article focuses on ones occurring in English manuscripts, primarily from the late fourteenth to the mid-sixteenth century. The devout touched, kissed, beheld, and wore these measures, drawn scaled or life-sized, in expectation of protections in life or indulgences after death. These metric relics are considered in light of the mathematics of medieval measurement, which essentially comprised laying one body against another to deliver some kind of ratio or relation. None of the textual amulets delivers a discrete statistic but instead requires a gauging operation, such as multiplying a length fifteen times, thereby placing the worshipper in the position of measurer. By imaginatively measuring the wounds and nails, as if present at the Passion, the votaries interrogate even as they touch.
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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