{"title":"精彩的同性恋奥德赛:安德鲁·肖恩·格里尔的《莱斯》","authors":"Judith Fletcher","doi":"10.1093/CRJ/CLAA034","DOIUrl":null,"url":null,"abstract":"\n Andrew Sean Greer’s comedic novel Less is a self-reflexive version of the Odyssey, featuring a gay love story in which the narrator and his subject merge to produce a postmodern homophrosyne that recapitulates the like-mindedness of Odysseus and Penelope. Although the novel makes explicit allusions to specific events and characters of the Homeric epic, its most significant intertextuality is not inscribed in Less’s events and characters, but rather in their telling, as if by a male Penelope to whom Odysseus recounted his tales. Using the device of the mise-en-abyme, and yet disrupting the conventions of novelistic story-telling, Greer aligns the recursive structures of his text in order to intertwine theories of narratology with sexual identity.","PeriodicalId":42730,"journal":{"name":"Classical Receptions Journal","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A good gay Odyssey: Andrew Sean Greer’s Less\",\"authors\":\"Judith Fletcher\",\"doi\":\"10.1093/CRJ/CLAA034\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n Andrew Sean Greer’s comedic novel Less is a self-reflexive version of the Odyssey, featuring a gay love story in which the narrator and his subject merge to produce a postmodern homophrosyne that recapitulates the like-mindedness of Odysseus and Penelope. Although the novel makes explicit allusions to specific events and characters of the Homeric epic, its most significant intertextuality is not inscribed in Less’s events and characters, but rather in their telling, as if by a male Penelope to whom Odysseus recounted his tales. Using the device of the mise-en-abyme, and yet disrupting the conventions of novelistic story-telling, Greer aligns the recursive structures of his text in order to intertwine theories of narratology with sexual identity.\",\"PeriodicalId\":42730,\"journal\":{\"name\":\"Classical Receptions Journal\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Classical Receptions Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/CRJ/CLAA034\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"CLASSICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Classical Receptions Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/CRJ/CLAA034","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"CLASSICS","Score":null,"Total":0}
引用次数: 0
摘要
安德鲁·肖恩·格里尔(Andrew Sean Greer)的喜剧小说《Less》是《奥德赛》的自我反思版,讲述了一个同性恋的爱情故事,叙述者和他的主人公融合在一起,产生了一种后现代的同调,再现了奥德修斯和佩内洛普的志趣相合。尽管小说对荷马史诗中的特定事件和人物有明确的暗示,但其最重要的互文性并不是写在莱斯的事件和人物身上,而是写在他们的讲述中,就像奥德修斯向一个男性佩内洛普讲述他的故事一样。格里尔运用了一种叙事手法,打破了小说叙事的传统,他将文本的递归结构对齐,以便将叙事学理论与性别身份交织在一起。
Andrew Sean Greer’s comedic novel Less is a self-reflexive version of the Odyssey, featuring a gay love story in which the narrator and his subject merge to produce a postmodern homophrosyne that recapitulates the like-mindedness of Odysseus and Penelope. Although the novel makes explicit allusions to specific events and characters of the Homeric epic, its most significant intertextuality is not inscribed in Less’s events and characters, but rather in their telling, as if by a male Penelope to whom Odysseus recounted his tales. Using the device of the mise-en-abyme, and yet disrupting the conventions of novelistic story-telling, Greer aligns the recursive structures of his text in order to intertwine theories of narratology with sexual identity.