{"title":"一位未来派诗人的生与死:对《毛猿》的推测","authors":"Gerhard Bleifuss","doi":"10.5325/eugeoneirevi.43.2.0153","DOIUrl":null,"url":null,"abstract":"ABSTRACT:What might O'Neill have made of futurism, the Italian movement that had been creating a sensation in the artistic world since 1909? The Hairy Ape perhaps provides the answer. In that play O'Neill arguably transformed Marinetti's prose \"Manifesto of Futurism\" into a dramatic text that presented futurism as destructive, misogynist, and inherently bound to fail. An intertextual examination suggests that one might profitably read The Hairy Ape as O'Neill's negative answer to Marinetti's ideas about poetry and art. If the futurists had a free rein, O'Neill seems to imply, they would reduce cultural life to a new level of primitiveness. This, in turn, suggests a critique of the futurists' affinity with fascism.","PeriodicalId":40218,"journal":{"name":"Eugene O Neill Review","volume":"43 1","pages":"153 - 171"},"PeriodicalIF":0.4000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Life and Death of a Futurist Poet: Speculations on The Hairy Ape\",\"authors\":\"Gerhard Bleifuss\",\"doi\":\"10.5325/eugeoneirevi.43.2.0153\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:What might O'Neill have made of futurism, the Italian movement that had been creating a sensation in the artistic world since 1909? The Hairy Ape perhaps provides the answer. In that play O'Neill arguably transformed Marinetti's prose \\\"Manifesto of Futurism\\\" into a dramatic text that presented futurism as destructive, misogynist, and inherently bound to fail. An intertextual examination suggests that one might profitably read The Hairy Ape as O'Neill's negative answer to Marinetti's ideas about poetry and art. If the futurists had a free rein, O'Neill seems to imply, they would reduce cultural life to a new level of primitiveness. This, in turn, suggests a critique of the futurists' affinity with fascism.\",\"PeriodicalId\":40218,\"journal\":{\"name\":\"Eugene O Neill Review\",\"volume\":\"43 1\",\"pages\":\"153 - 171\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Eugene O Neill Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/eugeoneirevi.43.2.0153\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, AMERICAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Eugene O Neill Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/eugeoneirevi.43.2.0153","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AMERICAN","Score":null,"Total":0}
引用次数: 0
摘要
摘要:自1909年以来,意大利的未来主义运动一直在艺术界引起轰动,奥尼尔对未来主义有何看法?长毛猿或许提供了答案。在这部戏剧中,奥尼尔可以说把马里内蒂的散文《未来主义宣言》(Manifesto of Futurism)变成了一个戏剧性的文本,将未来主义呈现为破坏性的、厌恶女性的、注定要失败的。对《毛猿》的互文考察表明,作为奥尼尔对马里内蒂诗歌和艺术观念的否定回答,人们可能会从中受益。奥尼尔似乎在暗示,如果未来主义者可以自由支配,他们会把文化生活降低到一个新的原始水平。这反过来又暗示了对未来主义者与法西斯主义的亲密关系的批评。
The Life and Death of a Futurist Poet: Speculations on The Hairy Ape
ABSTRACT:What might O'Neill have made of futurism, the Italian movement that had been creating a sensation in the artistic world since 1909? The Hairy Ape perhaps provides the answer. In that play O'Neill arguably transformed Marinetti's prose "Manifesto of Futurism" into a dramatic text that presented futurism as destructive, misogynist, and inherently bound to fail. An intertextual examination suggests that one might profitably read The Hairy Ape as O'Neill's negative answer to Marinetti's ideas about poetry and art. If the futurists had a free rein, O'Neill seems to imply, they would reduce cultural life to a new level of primitiveness. This, in turn, suggests a critique of the futurists' affinity with fascism.