{"title":"“推迟世界末日总是能够讲述另一个故事”:一位推迟世界末日的女权主义者的方法论笔记","authors":"Paola María Marugán Ricart","doi":"10.29043/liminar.v19i1.807","DOIUrl":null,"url":null,"abstract":"In this article, I propose a feminist ideology that weaves together cultural studies, feminist studies, and studies of whiteness, produced in the global south, in order to reflect upon the commitment of political intellectual work, mix-race identity as a field of action in various struggles, the relationship between researcher and artists, “self-litigation writing” as an unavoidable responsible practice, radical contextualism, and the political in the selection of theoretical paths.","PeriodicalId":30573,"journal":{"name":"Liminar Estudios Sociales y Humanisticos","volume":"19 1","pages":"30-43"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Adiar o fim do mundo é exatamente sempre poder contar mais uma história”: notas para una metodología en proceso de una feminista que sueña con postergar el fin del mundo\",\"authors\":\"Paola María Marugán Ricart\",\"doi\":\"10.29043/liminar.v19i1.807\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this article, I propose a feminist ideology that weaves together cultural studies, feminist studies, and studies of whiteness, produced in the global south, in order to reflect upon the commitment of political intellectual work, mix-race identity as a field of action in various struggles, the relationship between researcher and artists, “self-litigation writing” as an unavoidable responsible practice, radical contextualism, and the political in the selection of theoretical paths.\",\"PeriodicalId\":30573,\"journal\":{\"name\":\"Liminar Estudios Sociales y Humanisticos\",\"volume\":\"19 1\",\"pages\":\"30-43\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Liminar Estudios Sociales y Humanisticos\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.29043/liminar.v19i1.807\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Liminar Estudios Sociales y Humanisticos","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.29043/liminar.v19i1.807","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
“Adiar o fim do mundo é exatamente sempre poder contar mais uma história”: notas para una metodología en proceso de una feminista que sueña con postergar el fin del mundo
In this article, I propose a feminist ideology that weaves together cultural studies, feminist studies, and studies of whiteness, produced in the global south, in order to reflect upon the commitment of political intellectual work, mix-race identity as a field of action in various struggles, the relationship between researcher and artists, “self-litigation writing” as an unavoidable responsible practice, radical contextualism, and the political in the selection of theoretical paths.