{"title":"贡献者","authors":"Harun Farocki","doi":"10.1162/grey_x_00299","DOIUrl":null,"url":null,"abstract":"Harun Farocki (1944–2014) studied at the German Film and Television Academy (DFFB) in West Berlin from 1966 to 1968. He realized more than one hundred productions for television, cinema, and radio (documentaries, essay films, fiction, children’s television, radio plays) in the following five decades, which he complemented, since 1995, with video installations for exhibition spaces. Farocki’s films and installations have been shown widely in solo and group exhibitions, including Documenta 10 in 1997 and Documenta 12 in 2007. A prolific writer, most notably in the journal Filmkritik, which he coedited between 1974 and 1983, he also taught at various institutions, including DFFB, the University of California, Berkeley, and the Academy of Fine Arts Vienna.","PeriodicalId":44598,"journal":{"name":"Grey Room","volume":"1 1","pages":"4-4"},"PeriodicalIF":0.3000,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Contributors\",\"authors\":\"Harun Farocki\",\"doi\":\"10.1162/grey_x_00299\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Harun Farocki (1944–2014) studied at the German Film and Television Academy (DFFB) in West Berlin from 1966 to 1968. He realized more than one hundred productions for television, cinema, and radio (documentaries, essay films, fiction, children’s television, radio plays) in the following five decades, which he complemented, since 1995, with video installations for exhibition spaces. Farocki’s films and installations have been shown widely in solo and group exhibitions, including Documenta 10 in 1997 and Documenta 12 in 2007. A prolific writer, most notably in the journal Filmkritik, which he coedited between 1974 and 1983, he also taught at various institutions, including DFFB, the University of California, Berkeley, and the Academy of Fine Arts Vienna.\",\"PeriodicalId\":44598,\"journal\":{\"name\":\"Grey Room\",\"volume\":\"1 1\",\"pages\":\"4-4\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2020-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Grey Room\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1162/grey_x_00299\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Grey Room","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/grey_x_00299","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Harun Farocki (1944–2014) studied at the German Film and Television Academy (DFFB) in West Berlin from 1966 to 1968. He realized more than one hundred productions for television, cinema, and radio (documentaries, essay films, fiction, children’s television, radio plays) in the following five decades, which he complemented, since 1995, with video installations for exhibition spaces. Farocki’s films and installations have been shown widely in solo and group exhibitions, including Documenta 10 in 1997 and Documenta 12 in 2007. A prolific writer, most notably in the journal Filmkritik, which he coedited between 1974 and 1983, he also taught at various institutions, including DFFB, the University of California, Berkeley, and the Academy of Fine Arts Vienna.
期刊介绍：
Grey Room brings together scholarly and theoretical articles from the fields of architecture, art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contemporary concerns. Publishing some of the most interesting and original work within these disciplines, Grey Room has positioned itself at the forefront of current aesthetic and critical debates. Featuring original articles, translations, interviews, dossiers, and academic exchanges, Grey Room emphasizes aesthetic practice and historical and theoretical discourse that appeals to a wide range of readers, including architects, artists, scholars, students, and critics.
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