{"title":"听众如何想象新约中的人物:心理角色模型,融合,以及对路加福音1:5-2:52的接受","authors":"Kirsten Marie Hartvigsen","doi":"10.1163/15685152-29040007","DOIUrl":null,"url":null,"abstract":"\nIn the Gospel of Luke 1–2, the narrator focuses on two couples and their (future) sons. The plot of the narrative emphasizes the main characteristics of the characters, which in turn accentuate important characteristics of God. Audience members construct these characters like real-life persons based on the discourse aspect (textual features which indicate character traits, plots, focalization, etc.) and the suggestion aspect (memories, emotions, schemata that are activated or primed, etc.). In this article, the construction of characters is analyzed with insights into mental character models and social schemata. The linear presentation of information in orally performed narratives structures the first part of the analysis. The latter part draws on conceptual blending theory to explore how the character of God is constructed based on selected information projected from the utterances of the other characters to the blended space.","PeriodicalId":43103,"journal":{"name":"Biblical Interpretation-A Journal of Contemporary Approaches","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2021-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"How Audience Members Envision New Testament Characters: Mental Character Models, Blending, and the Reception of Luke 1:5–2:52\",\"authors\":\"Kirsten Marie Hartvigsen\",\"doi\":\"10.1163/15685152-29040007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nIn the Gospel of Luke 1–2, the narrator focuses on two couples and their (future) sons. The plot of the narrative emphasizes the main characteristics of the characters, which in turn accentuate important characteristics of God. Audience members construct these characters like real-life persons based on the discourse aspect (textual features which indicate character traits, plots, focalization, etc.) and the suggestion aspect (memories, emotions, schemata that are activated or primed, etc.). In this article, the construction of characters is analyzed with insights into mental character models and social schemata. The linear presentation of information in orally performed narratives structures the first part of the analysis. The latter part draws on conceptual blending theory to explore how the character of God is constructed based on selected information projected from the utterances of the other characters to the blended space.\",\"PeriodicalId\":43103,\"journal\":{\"name\":\"Biblical Interpretation-A Journal of Contemporary Approaches\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-11-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Biblical Interpretation-A Journal of Contemporary Approaches\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/15685152-29040007\",\"RegionNum\":3,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Biblical Interpretation-A Journal of Contemporary Approaches","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/15685152-29040007","RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
How Audience Members Envision New Testament Characters: Mental Character Models, Blending, and the Reception of Luke 1:5–2:52
In the Gospel of Luke 1–2, the narrator focuses on two couples and their (future) sons. The plot of the narrative emphasizes the main characteristics of the characters, which in turn accentuate important characteristics of God. Audience members construct these characters like real-life persons based on the discourse aspect (textual features which indicate character traits, plots, focalization, etc.) and the suggestion aspect (memories, emotions, schemata that are activated or primed, etc.). In this article, the construction of characters is analyzed with insights into mental character models and social schemata. The linear presentation of information in orally performed narratives structures the first part of the analysis. The latter part draws on conceptual blending theory to explore how the character of God is constructed based on selected information projected from the utterances of the other characters to the blended space.
期刊介绍:
This innovative and highly acclaimed journal publishes articles on various aspects of critical biblical scholarship in a complex global context. The journal provides a medium for the development and exercise of a whole range of current interpretive trajectories, as well as deliberation and appraisal of methodological foci and resources. Alongside individual essays on various subjects submitted by authors, the journal welcomes proposals for special issues that focus on particular emergent themes and analytical trends. Over the past two decades, Biblical Interpretation has provided a professional forum for pushing the disciplinary boundaries of biblical studies: not only in terms of what biblical texts mean, but also what questions to ask of biblical texts, as well as what resources to use in reading biblical literature. The journal has thus the distinction of serving as a site for theoretical reflection and methodological experimentation.