{"title":"移动的却不是移动的:迈克尔·斯诺的波长","authors":"E. McCallum","doi":"10.1353/pmc.2020.0007","DOIUrl":null,"url":null,"abstract":"Abstract:Michael Snow's canonical experimental film Wavelength is commonly understood to model cinematic apparatus theory. This essay reads Wavelength through a different apparatus, one used in physics' well-known double-slit experiment to demonstrate the wave theory of light. Reading the film via this quantum apparatus orients us to a different mode of spectatorship than cinema's apparatus theory—a mode of fascination. Reading Wavelength through fascination decenters the human subject, questions the tacit humanism of even materialist interpretations of the film, and opens up a new vantage on both the animacy in the film and its critical readings.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":"30 1","pages":"-"},"PeriodicalIF":0.2000,"publicationDate":"2020-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Moving Which Is Not a Moving: Michael Snow's Wavelength\",\"authors\":\"E. McCallum\",\"doi\":\"10.1353/pmc.2020.0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Michael Snow's canonical experimental film Wavelength is commonly understood to model cinematic apparatus theory. This essay reads Wavelength through a different apparatus, one used in physics' well-known double-slit experiment to demonstrate the wave theory of light. Reading the film via this quantum apparatus orients us to a different mode of spectatorship than cinema's apparatus theory—a mode of fascination. Reading Wavelength through fascination decenters the human subject, questions the tacit humanism of even materialist interpretations of the film, and opens up a new vantage on both the animacy in the film and its critical readings.\",\"PeriodicalId\":55953,\"journal\":{\"name\":\"POSTMODERN CULTURE\",\"volume\":\"30 1\",\"pages\":\"-\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-08-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"POSTMODERN CULTURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/pmc.2020.0007\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"POSTMODERN CULTURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/pmc.2020.0007","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
A Moving Which Is Not a Moving: Michael Snow's Wavelength
Abstract:Michael Snow's canonical experimental film Wavelength is commonly understood to model cinematic apparatus theory. This essay reads Wavelength through a different apparatus, one used in physics' well-known double-slit experiment to demonstrate the wave theory of light. Reading the film via this quantum apparatus orients us to a different mode of spectatorship than cinema's apparatus theory—a mode of fascination. Reading Wavelength through fascination decenters the human subject, questions the tacit humanism of even materialist interpretations of the film, and opens up a new vantage on both the animacy in the film and its critical readings.
期刊介绍：
Founded in 1990 as a groundbreaking experiment in scholarly publishing on the Internet, Postmodern Culture has become a leading electronic journal of interdisciplinary thought on contemporary culture. PMC offers a forum for commentary, criticism, and theory on subjects ranging from identity politics to the economics of information.
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