逻各斯的创伤描记术

4区 文学 Q4 Arts and Humanities RUSSIAN STUDIES IN LITERATURE Pub Date : 2018-07-03 DOI:10.1080/10611975.2018.1507529
Tat’iana Vaizer
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引用次数: 1

摘要

这篇内容丰富的文章首先回顾了Irina Sandomirskaia在2013年出版的《世界的封锁》一书,也讨论了关于创伤经历的写作,尤其是大屠杀,并关注了诗人Paul Celan和Robert Schindel的作品。在通常的诗意散文中,Vaizer引用了俄罗斯最近的诗人,他们的作品通过打破经典的诗歌习惯,特别是通过拒绝苏联时代语言使用的“流畅”和自我审查,让语言表达创伤。韦泽尔也可以读到一些有趣的年轻诗人的介绍。
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Traumatography of the Logos
This substantial article begins as a review of Irina Sandomirskaia’s 2013 book Blokada v slove [The Blockade in the Word], also discussing writing on traumatic experience in general, especially the Holocaust, with attention to work by poets Paul Celan and Robert Schindel. In often poetic prose, Vaizer cites recent poets in Russia whose writings let language express trauma precisely by breaking the classic poetic habits, and especially by rejecting the “smoothness” and self-censorship of Soviet-era linguistic usage. Vaizer also can be read for introductions to a number of interesting young poets.
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来源期刊
RUSSIAN STUDIES IN LITERATURE
RUSSIAN STUDIES IN LITERATURE LITERATURE, SLAVIC-
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期刊介绍: Russian Studies in Literature publishes high-quality, annotated translations of Russian literary criticism and scholarship on contemporary works and popular cultural topics as well as the classics. Selections are drawn from the leading literary periodicals including Literaturnaia gazeta (Literary Gazette), Novoe literaturnoe obozrenie (New Literary Review), Oktiabr (October), Voprosy literatury (Problems of Literature), and Znamia (Banner). An editorial introduction to every issue provides context and insight that will be helpful for English-language readers.
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