英国荷兰大师格林林·吉本斯

IF 0.3 3区 艺术学 0 ART Sculpture Journal Pub Date : 2020-12-01 DOI:10.3828/SJ.2020.29.3.3
L. Cutler
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引用次数: 0

摘要

格林林·吉本斯的静物雕塑源于17世纪荷兰的艺术和原始科学文化,在英国复辟时期,他作品的老练、高雅的消费者以这些知识术语来理解他。我们对吉本斯是一位技艺高超但智力迟钝的艺术家的神话的喜爱,不应该让我们忽视他雕塑的智力焦点。阿什莫林收藏的埃利亚斯·阿什莫尔肖像的雕刻框架是与欧洲收藏文化的复杂接触。查理二世的科西莫小组参与了卡罗琳宫廷诙谐而先进的科学论述,而皮卡迪利圣詹姆斯教堂的石灰木重读则追溯了花卉静物的虔诚根源,并在英国新教的背景下重新解释了它。
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Grinling Gibbons: a Dutch master in England
Grinling Gibbons’s still-life sculpture emerged out of the artistic and proto-scientific culture of the seventeenth-century Netherlands and was understood in these intellectual terms by the sophisticated, courtly consumers of his work in Restoration England. Our fondness for a myth of Gibbons as a dazzlingly skilful but intellectually vapid artist should not blind us to the intellectual focus of his sculptures. The carved frame for Elias Ashmole’s portrait in the Ashmolean collection is a sophisticated engagement with European cultures of collecting. The Cosimo panel for Charles II engages with the witty and formidably advanced scientific discourses of the Caroline court, while the limewood reredos in St James’ church, Piccadilly reaches back to the devotional roots of floral still life, reinterpreting it in the context of English Protestantism.
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32
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