狂欢节宗教圣歌的模仿:社会互动与文化表达:日常生活、节日和仪式形式

Q3 Arts and Humanities Yearbook of Balkan and Baltic Studies Pub Date : 2021-12-01 DOI:10.7592/ybbs4.10
Lina Petrošienė
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引用次数: 0

摘要

忏悔星期二,在茹梅蒂贾的盛装游行中,“乞丐”过去和现在都是主角之一,面具的分布区域、整个蒙面人的名字“忏悔乞丐”以及盛装“乞丐”歌曲的相对丰富都证明了这一点。这项研究考察了泽马蒂贾忏悔星期二狂欢节歌曲曲目中的一些例子,这些歌曲模仿了宗教赞美诗和民歌,表演者称之为赞美诗,模仿神圣的歌声表演。本分析确定了它们在忏悔星期二狂欢节上的特征、起源和功能。
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Parodies of Religious Hymns in Žemaitijan Carnival: Social Interaction and Cultural Expression: Everyday Life, Festivities and Ritual Forms
On costumed processions in Žemaitija on Shrove Tuesday, the ‘beggars’ were and are among the main characters, as attested by the mask’s distribution area, the name ‘Shrovetide beggars’ being given to the whole band of masked people, and the relative abundance of the costumed “beggars”’ songs. This study examines some examples from the repertoire of Shrove Tuesday carnival songs in Žemaitija, parodies of religious hymns and folk songs, which the performers called hymns and which were performed in imitation of sacred singing. The present analysis identifies their features, origins and function at the Shrove Tuesday carnival.
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来源期刊
Yearbook of Balkan and Baltic Studies
Yearbook of Balkan and Baltic Studies Arts and Humanities-History
CiteScore
0.10
自引率
0.00%
发文量
18
审稿时长
18 weeks
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