{"title":"李雪芳会见梅兰芳:20世纪20年代上海及以后粤剧的重大崛起","authors":"N. Rao","doi":"10.1353/cop.2020.0007","DOIUrl":null,"url":null,"abstract":"Abstract:The historical meeting of Cantonese opera actress Li Xuefang and Peking opera actor Mei Lanfang in Shanghai in 1922 signaled an important moment in the rising significance of Cantonese opera in Shanghai. This essay examines the social context, forces, and social actors involved in this encounter, as well as the activities of Cantonese opera performance in Shanghai that signaled its rise in the city during the 1920s. Drawing attention to the array of historical actors, the textual and visual public discourse surrounding the performers, and the role of Shanghai's Cantonese sojourner community, it explores Cantonese opera performance in Shanghai in this period, in particular the popularity of female troupes. The last section looks beyond Shanghai to consider its connections to and influence on another Cantonese sojourner community across the Pacific, San Francisco.","PeriodicalId":37726,"journal":{"name":"CHINOPERL: Journal of Chinese Oral and Performing Literature","volume":"39 1","pages":"151 - 181"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Li Xuefang Meets Mei Lanfang: Cantonese Opera's Significant Rise in 1920s Shanghai and Beyond\",\"authors\":\"N. Rao\",\"doi\":\"10.1353/cop.2020.0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:The historical meeting of Cantonese opera actress Li Xuefang and Peking opera actor Mei Lanfang in Shanghai in 1922 signaled an important moment in the rising significance of Cantonese opera in Shanghai. This essay examines the social context, forces, and social actors involved in this encounter, as well as the activities of Cantonese opera performance in Shanghai that signaled its rise in the city during the 1920s. Drawing attention to the array of historical actors, the textual and visual public discourse surrounding the performers, and the role of Shanghai's Cantonese sojourner community, it explores Cantonese opera performance in Shanghai in this period, in particular the popularity of female troupes. The last section looks beyond Shanghai to consider its connections to and influence on another Cantonese sojourner community across the Pacific, San Francisco.\",\"PeriodicalId\":37726,\"journal\":{\"name\":\"CHINOPERL: Journal of Chinese Oral and Performing Literature\",\"volume\":\"39 1\",\"pages\":\"151 - 181\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CHINOPERL: Journal of Chinese Oral and Performing Literature\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/cop.2020.0007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CHINOPERL: Journal of Chinese Oral and Performing Literature","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/cop.2020.0007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Li Xuefang Meets Mei Lanfang: Cantonese Opera's Significant Rise in 1920s Shanghai and Beyond
Abstract:The historical meeting of Cantonese opera actress Li Xuefang and Peking opera actor Mei Lanfang in Shanghai in 1922 signaled an important moment in the rising significance of Cantonese opera in Shanghai. This essay examines the social context, forces, and social actors involved in this encounter, as well as the activities of Cantonese opera performance in Shanghai that signaled its rise in the city during the 1920s. Drawing attention to the array of historical actors, the textual and visual public discourse surrounding the performers, and the role of Shanghai's Cantonese sojourner community, it explores Cantonese opera performance in Shanghai in this period, in particular the popularity of female troupes. The last section looks beyond Shanghai to consider its connections to and influence on another Cantonese sojourner community across the Pacific, San Francisco.
期刊介绍:
The focus of CHINOPERL: Journal of Chinese Oral and Performing Literature is on literature connected to oral performance, broadly defined as any form of verse or prose that has elements of oral transmission, and, whether currently or in the past, performed either formally on stage or informally as a means of everyday communication. Such "literature" includes widely-accepted genres such as the novel, short story, drama, and poetry, but may also include proverbs, folksongs, and other traditional forms of linguistic expression.