{"title":"“戈麦斯”的遗产:宗教和文化在塔塔记忆的“神化”中的交叉","authors":"Edson Farias, M. Carvalho","doi":"10.52780/RES.15084","DOIUrl":null,"url":null,"abstract":"Based on the use of the figurative perspective, this article addresses contemporary relations between religion and culture, but focusing on the historic event of nomination as a Fluminense cultural heritage of the land where Terreiro da Gomeia was located, in Duque de Caxias, Rio de Janeiro. In order to do this, positions are inserted in circuits and instances of symbolic production which act in the assembly of the current framework of memory related to the biography of the “tata” Joaozinho da Gomeia. The objective is to discuss the socio-historical factors which result in the current equation of the figure of Joaozinho da Gomeia as a sign of an affirmative agenda of cultural diversity, because it seems to match the deification of diversity itself as an irreducible value in the qualification of humanity and its actions.","PeriodicalId":30263,"journal":{"name":"Estudos de Sociologia","volume":"26 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"O Tombamento da “Goméia”: atravessamentos entre religião e cultura na“divinização” da memória de um tata\",\"authors\":\"Edson Farias, M. Carvalho\",\"doi\":\"10.52780/RES.15084\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Based on the use of the figurative perspective, this article addresses contemporary relations between religion and culture, but focusing on the historic event of nomination as a Fluminense cultural heritage of the land where Terreiro da Gomeia was located, in Duque de Caxias, Rio de Janeiro. In order to do this, positions are inserted in circuits and instances of symbolic production which act in the assembly of the current framework of memory related to the biography of the “tata” Joaozinho da Gomeia. The objective is to discuss the socio-historical factors which result in the current equation of the figure of Joaozinho da Gomeia as a sign of an affirmative agenda of cultural diversity, because it seems to match the deification of diversity itself as an irreducible value in the qualification of humanity and its actions.\",\"PeriodicalId\":30263,\"journal\":{\"name\":\"Estudos de Sociologia\",\"volume\":\"26 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-09-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Estudos de Sociologia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.52780/RES.15084\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Estudos de Sociologia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52780/RES.15084","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文从具象的角度探讨了宗教与文化之间的当代关系,但重点关注了特雷罗·达戈米亚所在地里约热内卢卡夏斯公爵被提名为弗鲁米嫩塞文化遗产的历史事件。为了做到这一点,位置被插入到符号生产的电路和实例中,这些电路和实例在与“塔塔”若奥津霍·达·戈梅亚传记相关的当前记忆框架的组装中起作用。目的是讨论社会历史因素,这些因素导致了若奥津霍·达·戈梅亚(Joaozinho da Gomeia)形象的当前等式,将其视为文化多样性的积极议程的标志,因为它似乎与多样性本身的神化相匹配,认为多样性本身是人类及其行动资格中不可减少的价值。
O Tombamento da “Goméia”: atravessamentos entre religião e cultura na“divinização” da memória de um tata
Based on the use of the figurative perspective, this article addresses contemporary relations between religion and culture, but focusing on the historic event of nomination as a Fluminense cultural heritage of the land where Terreiro da Gomeia was located, in Duque de Caxias, Rio de Janeiro. In order to do this, positions are inserted in circuits and instances of symbolic production which act in the assembly of the current framework of memory related to the biography of the “tata” Joaozinho da Gomeia. The objective is to discuss the socio-historical factors which result in the current equation of the figure of Joaozinho da Gomeia as a sign of an affirmative agenda of cultural diversity, because it seems to match the deification of diversity itself as an irreducible value in the qualification of humanity and its actions.