Ray Loriga的《Rendición(投降)》(2017)中建筑和社交媒体透明度的险恶一面

Q2 Social Sciences Journal of Urban Cultural Studies Pub Date : 2022-06-01 DOI:10.1386/jucs_00046_1
Diana Q. Palardy
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引用次数: 0

摘要

虽然透明的概念通常有积极的含义,因为它暗示着诚实和根除腐败的尝试,但雷·洛里加在他2017年的小说Rendición中探索了它的阴暗面。在他的小说中,一个透明的圆顶城市,其建筑完全由玻璃建造,旨在成为一个饱受战争和资源匮乏困扰的国家的乌托邦避难所;然而,这个自给自足的城市并不理想,因为透明度鼓励市民不断地观察彼此,从事自我监督和压制个性。对Ray Loriga小说Rendición中透明结构的分析有助于讨论透明在互联网上的意义,特别是在社交媒体上,以及乌托邦式的透明愿望有时可能会产生意想不到的后果。这一分析也通过对文化想象中透明度的隐喻挪用的调查得到了启示,更多地强调了城市建筑和文学。
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The sinister side of transparency in architecture and social media in Ray Loriga’s Rendición (Surrender) (2017)
While the concept of transparency generally has positive connotations, as it suggests an attempt at honesty and the eradication of corruption, Ray Loriga explores its darker side in his 2017 novel Rendición. In his novel, a transparent domed city with buildings constructed entirely of glass is intended to be a utopian refuge in a country plagued by war and scarcity of resources; however, this self-sufficient city is hardly ideal, as transparency encourages citizens to constantly watch one another, engage in self-monitoring and suppress individuality. An analysis of the transparent structures in Ray Loriga’s novel Rendición facilitates a discussion about what transparency means on the internet, especially social media, and ways that utopian aspirations of transparency may sometimes have unintended consequences. This analysis is also informed by a survey of metaphorical appropriations of transparency in the cultural imaginary, with more of an emphasis on urban architecture and literature.
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来源期刊
Journal of Urban Cultural Studies
Journal of Urban Cultural Studies Social Sciences-Cultural Studies
CiteScore
0.50
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0.00%
发文量
7
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