{"title":"生态女权主义的“趋同之线”:在丽贝卡·索尔尼特的《野蛮之梦》中重新描绘美国西部","authors":"Daisy Henwood","doi":"10.1386/ejac_00013_1","DOIUrl":null,"url":null,"abstract":"This article examines the ways Rebecca Solnit’s Savage Dreams (1994) (re)maps two key locations in the American West. The text centres on Yosemite National Park and the Nevada Test Site, locations emblematic of histories of colonialism, patriarchy, capitalism and the military\n in the United States. Considering how Solnit constructs a counter-map of these places, this article argues that by tracing ‘lines of convergence’ on a landscape deemed empty by the dominant culture, Solnit both documents and is part of resistance to power structures upheld by traditional\n cartography. Using an ecofeminist framework based on drawing connections in the face of the dominant culture’s emphasis on fragmentation and separation, I discuss how Solnit exposes the silence and violence of the map. I then consider the ways she constructs a ‘testimonial network’\n that counters both. Finally, I suggest that Solnit’s textual counter-map prompts us to re-read the traditional map on connective, ecofeminist terms.","PeriodicalId":35235,"journal":{"name":"European Journal of American Culture","volume":"39 1","pages":"105-118"},"PeriodicalIF":0.0000,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ecofeminist ‘lines of convergence’: Remapping the American West in Rebecca Solnit’s Savage Dreams\",\"authors\":\"Daisy Henwood\",\"doi\":\"10.1386/ejac_00013_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines the ways Rebecca Solnit’s Savage Dreams (1994) (re)maps two key locations in the American West. The text centres on Yosemite National Park and the Nevada Test Site, locations emblematic of histories of colonialism, patriarchy, capitalism and the military\\n in the United States. Considering how Solnit constructs a counter-map of these places, this article argues that by tracing ‘lines of convergence’ on a landscape deemed empty by the dominant culture, Solnit both documents and is part of resistance to power structures upheld by traditional\\n cartography. Using an ecofeminist framework based on drawing connections in the face of the dominant culture’s emphasis on fragmentation and separation, I discuss how Solnit exposes the silence and violence of the map. I then consider the ways she constructs a ‘testimonial network’\\n that counters both. Finally, I suggest that Solnit’s textual counter-map prompts us to re-read the traditional map on connective, ecofeminist terms.\",\"PeriodicalId\":35235,\"journal\":{\"name\":\"European Journal of American Culture\",\"volume\":\"39 1\",\"pages\":\"105-118\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Journal of American Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/ejac_00013_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Journal of American Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/ejac_00013_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Ecofeminist ‘lines of convergence’: Remapping the American West in Rebecca Solnit’s Savage Dreams
This article examines the ways Rebecca Solnit’s Savage Dreams (1994) (re)maps two key locations in the American West. The text centres on Yosemite National Park and the Nevada Test Site, locations emblematic of histories of colonialism, patriarchy, capitalism and the military
in the United States. Considering how Solnit constructs a counter-map of these places, this article argues that by tracing ‘lines of convergence’ on a landscape deemed empty by the dominant culture, Solnit both documents and is part of resistance to power structures upheld by traditional
cartography. Using an ecofeminist framework based on drawing connections in the face of the dominant culture’s emphasis on fragmentation and separation, I discuss how Solnit exposes the silence and violence of the map. I then consider the ways she constructs a ‘testimonial network’
that counters both. Finally, I suggest that Solnit’s textual counter-map prompts us to re-read the traditional map on connective, ecofeminist terms.