印尼单口相声:一个新兴的青年文化产业

L. Sihombing, Annisa Rahma Fajri, Mita Divia Sonali, P. Lestari
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引用次数: 0

摘要

该研究分析了单口喜剧在印度尼西亚的发展,它已经发展成为一种新的流行文化趋势和一种新的创意业务,生产出熟练和知名的漫画。此外,还通过评价社区、Instagram、YouTube的成长情况,以及成功漫画的成长情况,讨论了单口喜剧如何发展成为一种新的创意产业。为了帮助研究人员进行分析,研究人员采用了定性方法。他们采用了戈夫曼的自我呈现理论和理查德·弗罗里达的创意产业理论。研究结果表明,创意产业并不总是向前发展;在许多地方,人们对单口喜剧的兴趣有所下降,但它仍在努力发展。印尼人越来越容易接受单口喜剧,因为这里有一些世界上最有才华的喜剧演员。漫画必须在内容创作的方法上创新,以增加其受欢迎程度和生存能力。除此之外,当漫画受欢迎时,它们可以激励其他人从事漫画事业。因此,漫画成员的数量继续增长,社区规模不断扩大,创意业务继续蓬勃发展。单口喜剧已经发展成为流行文化和面向年轻人的新的创意部门。
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Indonesian Stand-Up Comedy: A New Developing Industry of Youth Culture
The research analyzed the growth of stand-up comedy in Indonesia, which had developed into a new trend or popular culture and a new creative business that produced skilled and well-known comics. Furthermore, it discussed how stand-up comedy might develop into a new creative business by evaluating the growth of the community, Instagram, and YouTube, as well as the growth of successful comics. In order to help the researchers doing the analysis, the researchers applied a qualitative method. They used two theories named Self-presentation concept by Goffman and Creative Industry theory by Richard Florida. The findings indicate that the creative industry does not always progress forward; interest in stand-up comedy decreased in various places, but it is still attempting to develop. Indonesian people are becoming more receptive to stand-up comedy as it is home to some of the world's most talented comics. Comics must be innovative in their approach to content creation to increase their popularity and viability. Apart from that, when comics are popular, they can inspire others to pursue careers as comics. As a result, comics members continue to grow in number, the community grows in size, and the creative business continues to flourish. Stand-up comedy has developed into popular culture and a new creative sector geared toward youth.
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来源期刊
自引率
0.00%
发文量
7
审稿时长
24 weeks
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