新兴的电视:技术的未来和所有东西的屏幕

IF 0.4 N/A FILM, RADIO, TELEVISION Studies in Australasian Cinema Pub Date : 2018-01-02 DOI:10.1080/17503175.2018.1427797
T. Cinque, Jordan Beth Vincent
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引用次数: 2

摘要

使用高速宽带和互联网电视(智能电视)来播放电影、新闻、纪录片和电视节目,以及其他服务——为了方便听众/观众在他们选择的时间(点播)——对电视通过网络选择的生存至关重要。个人使用各种日益相互关联的技术设备。多个打开的屏幕,类似于个人电脑上的切换,现在可以在一个“表面”上使用。它们可以一致地显示,甚至可以在整面墙上显示,其中多个屏幕可以彼此相邻放置,以创建具有形状和大小模块化的单个连续显示。在这些技术发展的同时,观众也在关注小型全球连接移动屏幕或可扩展媒体的移动优先平台。还要考虑到,用户生成的在线流媒体内容在许多观众中很受欢迎。在本文中,我们将探讨当今复杂和不断变化的媒体环境,分析在澳大利亚收集的调查数据,以考虑目前使用哪些屏幕媒体,与各种媒体互动的频率,以及使用它们的设置和目的。向外延伸,我们还使用了来自TriSMA的伪匿名数据,TriSMA是澳大利亚研究委员会(ARC)资助的社交媒体分析跟踪基础设施(TriSMA),由昆士兰科技大学、科廷大学、斯威本大学和迪肯大学开发,提供有关澳大利亚社交媒体使用的详细分析,特别是为了评估社交媒体制作如何在电视制作的总体过程中发挥作用。通过这个镜头,我们评估了提供数字内容制作、策划和传播的新屏幕技术的未来,以便问“现在是什么?””
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The emerging televisual: technology futures and screens for all things
ABSTRACT The use of high-speed broadband and internet-enabled television sets (smart TVs) for movies, news, documentaries, and television programs, amongst other services – for the convenience of the listener/viewer at a time chosen by them (on-demand) – is vital to television's survival through networked options for choice. Individuals engage with a variety of increasingly interconnected technological devices. Multiple open screens, akin to those switched between on the personal computer, are now available across a single ‘surface’. These can be displayed congruently, even on whole walls whereby multiple screens are able be placed next to each other to create a single continuous display with modularity in shape and size. In parallel to these technological developments, audiences are looking to the mobile-first platform of small globally connected mobile screens or scalable media. Consider too, that user-generated content streamed online is proving popular for a number of viewers. In this paper, we will explore today's complex and shifting mediascape, analysing survey data collected in Australia to consider which screen media are currently made use of, how frequently various media are interacted with, and in what settings and purposes they are used. Reaching outward, we additionally use pseudo-anonymous data drawn from TriSMA, an Australian Research Council (ARC) funded Tracking Infrastructure for Social Media Analytics (TrISMA) developed by QUT, Curtin, Swinburne and Deakin universities to provide detailed analytics regarding Australian social media use, specifically in order to evaluate how social media production works within the overarching process of television production. Through this lens, we evaluate the future of new screen technology offering digital content production, curation and dissemination in order to ask ‘what now?’
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来源期刊
Studies in Australasian Cinema
Studies in Australasian Cinema FILM, RADIO, TELEVISION-
CiteScore
0.50
自引率
0.00%
发文量
7
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