Erik Skjoldbjærg的《纵火狂》（2016）中的局外人和旁观者

IF 0.4 Q3 CULTURAL STUDIES Journal of Aesthetics & Culture Pub Date : 2018-04-02 DOI:10.1080/20004214.2018.1438731

A. Gjelsvik

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引用次数: 0

摘要

本文讨论了挪威电影《纵火狂》(Erik Skjoldbjærg 2016)，它是对恐怖主义的一种艺术尝试，也是对2011年7月22日挪威恐怖袭击的电影处理。这部电影与7月22日的几份书面记录有关，重点是在不可理解的事件发生后，当涉及到内疚和羞耻时，个人，家庭和社会的角色。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Outsiders and bystanders in Erik Skjoldbjærg’s The Pyromaniac (2016)

ABSTRACT This article discusses the Norwegian film The Pyromaniac (Erik Skjoldbjærg 2016) as an artistic attempt to come to terms with terrorism, and as a cinematic treatment of the Norwegian terror attacks of 22nd of July 2011. The film is discussed in relation with several written accounts on 22nd of July and focus is on the role of the individual, the family and the society when it comes to guilt and shame following incomprehensible events.

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