近代早期英格兰的受难:兰斯洛特·安德鲁斯的耶稣受难日布道

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES Pub Date : 2023-05-01 DOI:10.1215/10829636-10416656
Joseph Ashmore
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引用次数: 0

摘要

这篇文章调查了16世纪晚期和17世纪早期英格兰关于耶稣受难的写作。它考察了兰斯洛特·安德鲁斯(1555 - 1626)在耶稣受难日的布道。像许多新教徒一样,安德鲁希望尽量减少耶稣受难的偶像崇拜。然而,安德鲁斯的布道并没有将耶稣受难的感性问题化,而是培养了一种能够正确解读耶稣受难的解释性倾向。借鉴伯纳丁和奥古斯丁的模式,他把听众的注意力看作是协商钉十字架的外在物质性的重要资源:“以适当的注意力”阅读受难书,通过其肉欲揭示了神圣之爱的永恒信息,并将其整合到更广泛的圣经阅读模式中。安德鲁斯对精神和视觉在崇拜中的作用持开放态度,这使他能够解释外在的表面如何揭示内在的真理。他在这些布道中对注意力的理论化,为宗教改革后对耶稣受难像的解读提供了新的思路。
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Attending to the Passion in Early Modern England: Lancelot Andrewes's Good Friday Sermons
This article investigates writing about the Passion in late sixteenth- and early seventeenth-century England. It examines the sermons preached on Good Friday by Lancelot Andrewes (1555 – 1626). Like many Protestants, Andrewes hoped to minimize the idolatrous potential of the Passion. Rather than problematizing the sensuality of the Crucifixion, however, Andrewes's sermons cultivate an interpretive disposition that can read it correctly. Drawing on Bernardine and Augustinian models, he treats the attention of his listeners as a vital resource for negotiating the outward materiality of the Crucifixion: reading the Passion “with due attention” reveals through its carnality an eternal message of divine love and integrates it within a broader pattern of scriptural reading. Andrewes's openness to the roles of mental and ocular sight in worship commits him to explaining how outward surfaces reveal inner truths. His theorization of attention in these sermons sheds new light on post-Reformation readings of the Passion's iconography.
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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