{"title":"德索萨和洛坎评论（2019）","authors":"Jan Miyake","doi":"10.18061/emr.v14i3-4.7568","DOIUrl":null,"url":null,"abstract":"This contribution is a brief commentary on the paper \"Hypermetrical Irregularity in Sonata Form: A Corpus Study\" by Jonathan De Souza and David Lokan. The original paper explores the hypothesis that in a sonata form, the development is more hypermetrically stable than the exposition. The published data support the hypothesis. The commentary suggests other paths for discussion and further tweaks to the study that may better show how data support or contradict De Souza and Lokan's intuitions.","PeriodicalId":44128,"journal":{"name":"Empirical Musicology Review","volume":"14 1","pages":"144-145"},"PeriodicalIF":0.6000,"publicationDate":"2020-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Commentary on De Souza and Lokan (2019)\",\"authors\":\"Jan Miyake\",\"doi\":\"10.18061/emr.v14i3-4.7568\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This contribution is a brief commentary on the paper \\\"Hypermetrical Irregularity in Sonata Form: A Corpus Study\\\" by Jonathan De Souza and David Lokan. The original paper explores the hypothesis that in a sonata form, the development is more hypermetrically stable than the exposition. The published data support the hypothesis. The commentary suggests other paths for discussion and further tweaks to the study that may better show how data support or contradict De Souza and Lokan's intuitions.\",\"PeriodicalId\":44128,\"journal\":{\"name\":\"Empirical Musicology Review\",\"volume\":\"14 1\",\"pages\":\"144-145\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2020-07-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Empirical Musicology Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18061/emr.v14i3-4.7568\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Empirical Musicology Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18061/emr.v14i3-4.7568","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章是对Jonathan De Souza和David Lokan的论文《奏鸣曲曲式中的超韵律不规则性:语料库研究》的简短评论。原论文探讨了一个假设，即在奏鸣曲形式中，发展比阐述更具有超节拍稳定性。已发表的数据支持这一假设。评论提出了其他的讨论路径，并进一步调整研究，以更好地显示数据是如何支持或反对De Souza和Lokan的直觉。
This contribution is a brief commentary on the paper "Hypermetrical Irregularity in Sonata Form: A Corpus Study" by Jonathan De Souza and David Lokan. The original paper explores the hypothesis that in a sonata form, the development is more hypermetrically stable than the exposition. The published data support the hypothesis. The commentary suggests other paths for discussion and further tweaks to the study that may better show how data support or contradict De Souza and Lokan's intuitions.
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