克拉傣音起源模型

Q2 Arts and Humanities Cahiers de Linguistique Asie Orientale Pub Date : 2019-06-14 DOI:10.1163/19606028-04801004
L. Sagart
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引用次数: 2

摘要

本文在原始南岛南岛语(克拉代语和马来波利尼西亚语的母语)的分段词尾中发现了三个克拉代音的起源。Kra Dai A类别起源于声尾(元音、半元音、鼻音、液体)和Tsuchida(1976)重建的原南岛语*-H2;*-R和*-X中的B类,迄今为止尚未重建的结尾在Amis和Bisayan语Aklanon中反映为-h;原南岛语*-H1中的C类,由Tsuchida重建。描述了*-s和*-s的音调结果。音调C中的Kra-Dai声尾被认为来自假设的南岛语原型,其中声尾后面跟着*-s,一个未知功能的后缀。尽管目前的模型不要求克拉代是原南岛人的女儿,但克拉代音调的构建块被证明是在南岛语音史的台湾阶段。
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A model of the origin of Kra-Dai tones
This paper finds origins for the three Kra-Dai tones in the segmental endings of Proto-Southern Austronesian, the parent language of Kra-Dai and Malayo-Polynesian. The Kra-Dai A category originates in sonorant endings (vowels, semi-vowels, nasals, liquids) and in Proto-Austronesian *-H2, reconstructed by Tsuchida (1976); the B category in *-R and in *-X, a hitherto not reconstructed ending reflected as -h in Amis and in the Bisayan language Aklanon; the C category, in Proto-Austronesian *-H1, reconstructed by Tsuchida. The tonal outcomes of *-s and *-S are described. Kra-Dai sonorant endings in tone C are argued to come from hypothetical Austronesian prototypes in which a sonorant ending was followed by *-s, a suffix of unknown function. Although the present model does not require Kra-Dai to be a daughter of Proto-Austronesian, the building blocks for Kra-Dai tones are shown to be in place during the Formosan phase of Austronesian phonological history.
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来源期刊
Cahiers de Linguistique Asie Orientale
Cahiers de Linguistique Asie Orientale Arts and Humanities-Language and Linguistics
CiteScore
0.90
自引率
0.00%
发文量
11
期刊介绍: The Cahiers is an international linguistics journal whose mission is to publish new and original research on the analysis of languages of the Asian region, be they descriptive or theoretical. This clearly reflects the broad research domain of our laboratory : the Centre for Linguistic Research on East Asian Languages (CRLAO). The journal was created in 1977 by Viviane Alleton and Alain Peyraube and has been directed by three successive teams of editors, all professors based at the CRLAO in Paris. An Editorial Board, composed of scholars from around the world, assists in the reviewing process and in a consultative role.
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