Gertrudis Gómez de Avellaneda和Emilia Pardo Bazán的坏死癖和愤怒网络

IF 0.1 0 LITERATURE, ROMANCE Revista Hispanica Moderna Pub Date : 2020-05-06 DOI:10.1353/rhm.2020.0009
A. Peluffo
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引用次数: 1

摘要

摘要:在这篇文章中,我探讨了格特鲁迪斯·戈麦斯·德·阿维拉内达和埃米莉亚·帕尔多·巴赞是如何在亲密的通信空间中处理他们与性和性别歧视的创伤遭遇的。尽管两人从未见过面,但他们都有被西班牙皇家科学院拒绝的经历——1853年的戈麦斯·德·阿维拉内达和1889年、1891年和1912年的帕尔多·巴赞。Pardo Bazán在写给已经去世的Gómez de Avellaneda的信中,创造了我所说的“死亡的女权主义纽带”:一种在与父权制生物政治作斗争的具体主体和非实体主体之间的政治联盟。通过关注每一位女性通信的情感轮廓,我追踪了她们如何回应文化要求,压抑对社会不公正的愤怒,同时设计了通过讽刺和讽刺来表达愤怒的间接形式。最后,我认为,这些书信体语料库与学院的厌女症形成了对比,并成为了一个富有成效的场所,可以考虑围绕创伤经历表达和形成集体关系的非规范模式。
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Necrofeminismo y redes de indignación en Gertrudis Gómez de Avellaneda y Emilia Pardo Bazán
ABSTRACT:In this essay, I explore how Gertrudis Gómez de Avellaneda and Emilia Pardo Bazán process their traumatic encounters with sexual and gender discrimination within the intimate space of correspondence. Though the two never met in person, they shared the experience of being rejected by the Real Academia Española—Gómez de Avellaneda in 1853, and Pardo Bazán in 1889, 1891 and 1912. Writing to an already dead Gómez de Avellaneda, Pardo Bazán creates what I refer to as a necro-feminist bond: a political alliance between embodied and disembodied subjects fighting against patriarchal biopolitics. By focusing on the affective contours of each woman’s correspondences, I trace the ways in which they respond to the cultural imperative to repress their anger at social injustice while devising oblique forms of communicating their rage through sarcasm and irony. Finally, I argue that these epistolary corpuses act as a counterpoint to the Academia’s misogyny and serve as a productive site for considering non-normative modes of expressing and forming collectivities around traumatic experiences.
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来源期刊
Revista Hispanica Moderna
Revista Hispanica Moderna LITERATURE, ROMANCE-
CiteScore
0.10
自引率
0.00%
发文量
11
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