{"title":"纪念建筑,Periclean雅典和1791年波兰革命:奥古斯特·德·乔伊塞尔·古菲尔的帕台农神庙启发的华沙神庙","authors":"Mikołaj Getka-Kenig","doi":"10.1093/crj/clad014","DOIUrl":null,"url":null,"abstract":"\n Auguste de Choiseul-Gouffier’s design for the Temple of Providence in Warsaw, the Polish-Lithuanian Commonwealth’s capital, is the earliest known evidence of European fascination with the Parthenon as a model for modern commemorative architecture. However, it was this proposal’s specific political context which makes it especially interesting from the perspective of classical reception studies. It was an artistic reaction of an aristocratic philhellene to the destructive tendencies of the French Revolution on the eve of the Bourbon monarchy’s abolition. The choice of the Parthenon was expressive of Choiseul-Gouffier’s admiration for the idealized heritage of ancient aristocratic republicanism and its alleged relevance to the political culture of the modern ‘republic’ of Poland-Lithuania.","PeriodicalId":42730,"journal":{"name":"Classical Receptions Journal","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2023-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Commemorative Architecture, Periclean Athens and the Polish Revolution of 1791: Auguste de Choiseul-Gouffier’s Parthenon-Inspired Temple for Warsaw\",\"authors\":\"Mikołaj Getka-Kenig\",\"doi\":\"10.1093/crj/clad014\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n Auguste de Choiseul-Gouffier’s design for the Temple of Providence in Warsaw, the Polish-Lithuanian Commonwealth’s capital, is the earliest known evidence of European fascination with the Parthenon as a model for modern commemorative architecture. However, it was this proposal’s specific political context which makes it especially interesting from the perspective of classical reception studies. It was an artistic reaction of an aristocratic philhellene to the destructive tendencies of the French Revolution on the eve of the Bourbon monarchy’s abolition. The choice of the Parthenon was expressive of Choiseul-Gouffier’s admiration for the idealized heritage of ancient aristocratic republicanism and its alleged relevance to the political culture of the modern ‘republic’ of Poland-Lithuania.\",\"PeriodicalId\":42730,\"journal\":{\"name\":\"Classical Receptions Journal\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-08-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Classical Receptions Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/crj/clad014\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"CLASSICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Classical Receptions Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/crj/clad014","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"CLASSICS","Score":null,"Total":0}
引用次数: 0
摘要
Auguste de Choiseul Goufier为波兰立陶宛联邦首都华沙普罗维登斯神庙设计的作品,是已知的最早证据,表明欧洲人对帕特农神庙着迷,认为它是现代纪念建筑的典范。然而,正是这一提议的具体政治背景使其从古典接受研究的角度来看特别有趣。这是贵族贵族对波旁王朝废除前夕法国大革命破坏性倾向的艺术反应。帕台农神庙的选择表达了Choiseul Goufier对古代贵族共和主义理想化遗产的钦佩,以及其与波兰-立陶宛现代“共和国”政治文化的相关性。
Commemorative Architecture, Periclean Athens and the Polish Revolution of 1791: Auguste de Choiseul-Gouffier’s Parthenon-Inspired Temple for Warsaw
Auguste de Choiseul-Gouffier’s design for the Temple of Providence in Warsaw, the Polish-Lithuanian Commonwealth’s capital, is the earliest known evidence of European fascination with the Parthenon as a model for modern commemorative architecture. However, it was this proposal’s specific political context which makes it especially interesting from the perspective of classical reception studies. It was an artistic reaction of an aristocratic philhellene to the destructive tendencies of the French Revolution on the eve of the Bourbon monarchy’s abolition. The choice of the Parthenon was expressive of Choiseul-Gouffier’s admiration for the idealized heritage of ancient aristocratic republicanism and its alleged relevance to the political culture of the modern ‘republic’ of Poland-Lithuania.