Greek Tragedy and Cathartic Violence in Leconte de Lisle’s Animal Poems

This article proposes a new understanding of Charles Marie René Leconte de Lisle’s famous animal poems. While recent studies have identified an innovative non-anthropocentric perspective in the texts – vivid snapshots of brute existence, without deeper meaning – we find that these animals function in a more complex manner. Locating them throughout his poetry, beyond the ‘portraits’ most readers are familiar with, we find that they are highly figurative participants in his extensive depictions of human history, lending a more visceral quality to this series of tragedies – recurring scenes that, with their sacrificial violence and devoured victims, indeed suggest an unexpected connection with this literary genre, in its earliest form. Equally unexpected, this connection appears most tenable not in those texts where humans share the stage (as in his adaptation of Aeschylus’s Oresteia), but where they are absent. Eliminating the figurative descriptions and impassioned dialogue of the historical and dramatic poems to focus on actual acts of predation, the poet allows the reader to experience these explosions of ‘purely animal’ violence as cathartic, tragic ritual.