尼日利亚北部Adire Cloth的再解读

IF 0.5 2区 社会学 0 HUMANITIES, MULTIDISCIPLINARY TEXTILE HISTORY Pub Date : 2020-01-02 DOI:10.1080/00404969.2020.1747372
E. Renne
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引用次数: 3

摘要

20世纪30年代,对adire布的需求导致其随后在尼日利亚北部生产。约鲁巴adire布由豪萨adire制造商重新诠释,他们开发了自己有吸引力的命名图案。20世纪70年代,当尼日利亚经济改善,工业印花棉纺织品变得更容易获得时,豪萨妇女基本上放弃了adire布,转而生产棉印花。然而,游客对adire布料的需求和对较新adire款式的时尚品味的变化支持了它们的持续创作,尤其是在卡诺。虽然政治和经济环境减少了纺织品的生产,但这些纺织品在21世纪的尼日利亚北部仍然具有社会文化意义。
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Reinterpreting Adire Cloth in Northern Nigeria
In the 1930s, the demand for adire cloth led to its subsequent production in northern Nigeria. Yoruba adire cloths were reinterpreted by Hausa adire makers who developed their own attractive, named patterns. When the Nigerian economy improved and industrially-printed cotton textiles became more accessible in the 1970s, Hausa women largely abandoned adire cloths for manufactured cotton prints. However, tourist demand for adire cloths and changing fashion tastes for newer adire styles have supported their continued creation, particularly in Kano. While political and economic circumstances have reduced adire production, these textiles continue to have sociocultural significance in twenty-first-century northern Nigeria.
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来源期刊
TEXTILE HISTORY
TEXTILE HISTORY HUMANITIES, MULTIDISCIPLINARY-
CiteScore
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期刊介绍: Textile History is an internationally recognised, peer reviewed journal and one of the leading publications in its field. It is viewed as an important outlet for current research. Published in the spring and autumn of each year, its remit has always been to facilitate the publication of high-quality research and discussion in all aspects of scholarship arising from the history of textiles and dress. Since its foundation the scope of the journal has been substantially expanded to include articles dealing with aspects of the cultural and social history of apparel and textiles, as well as issues arising from the exhibition, preservation and interpretation of historic textiles or clothing.
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