计划与理事会:计算、组织与重估的家谱

IF 0.3 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Grey Room Pub Date : 2023-04-01 DOI:10.1162/grey_a_00374
S. Lütticken
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引用次数: 0

摘要

奥斯卡·奈特将工人代表会描述为“20世纪具体的乌托邦”。28事实上,议会形式是一个凝聚的乌托邦,因为它拒绝了被称为抽象代表的政治。历史学家保罗·弗里德兰(Paul Friedland)用这个术语来描述由abb siey在法国大革命期间发展起来的政治代表制的概念,以区别于古代革命时期的公司代表制基于对现代社会劳动分工的原始社会学解释,siey认为,政治也最好留给专家,留给职业政治家,因此“人民”的角色应该简化为选举。直接民主是一种诅咒为了组成封建的三级会议,三个等级(贵族、神职人员、资产阶级)的代表是在地方会议上选出的,在这些会议上,代表们还得到一份具有约束力的议事簿,上面载有商定的政治立场恰恰是这一强制禁令在现代议会民主中被破坏了——因此政治家们一上台就忘记了他们的选举承诺。1818年,德国反动浪漫主义者亚当·米勒为封建等级社会辩护,认为它是一种“有机国家”,将这种政治美学理想与“新奇的头脑、灵魂的金钱代表”对立起来,他认为这是一种危险的法国创新左派也攻击抽象的表现。正如乔纳森·比彻(Jonathan Beecher)在他的查尔斯·傅立叶传记中所写的那样,“欧洲后革命时期最引人注目的智力发展之一是对团体和社区的兴趣的增长,它们既是社会的组成部分,也是对个人个性和行为的影响。”33面对“法国大革命期间教区、公会和其他主要团体的破坏”,反动和进步的思想家们都打破了18世纪“社会的原子概念,即由自由、自主和理性的个人参与的特定和意志关系的网络”。马克思本人,在他早期关于“犹太人问题”的文章中,把注意力集中在作为社会和经济(以及宗教)主体的“活着的个人”与抽象的公民之间的矛盾上。如果活着的个体
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Plan and Council: Genealogies of Calculation, Organization, and Transvaluation
Representation and Its Discontents: The Council as Concrete Utopia Oskar Negt has memorably characterized workers’ councils as “the concrete utopia of the twentieth century.”28 Indeed, the council form is a utopia of concretion in that it rejects the politics of what has been termed abstract representation. The historian Paul Friedland uses this term to characterize the concept of political representation developed during the French Revolution by Abbé Sieyès, in contradistinction to corporational representation under the Ancien Régime.29 Based on a protosociological account of the division of labor in modern societies, Sieyès argued that politics, too, was best left to the specialists, to professional politicians, so the role of “the people” should to be reduced to elections. Direct democracy was anathema.30 To constitute the feudal Estates General, the representatives of the three estates (nobility, clergy, bourgeoisie) were selected in local meetings during which the delegates were also given a binding cahier with agreed-on political positions.31 Precisely this mandat impératif was scuppered in modern parliamentary democracy—hence the familiar sight of politicians forgetting about their election promises once in office. In 1818, the German reactionary romantic Adam Müller defended the feudal society of estates as an “organic state,” pitting this politico-aesthetic ideal against the “newfangled head-, souland money-representation,” which he considered a dangerous French innovation.32 Leftists, too, attacked abstract representation. As Jonathan Beecher writes in his biography of Charles Fourier, “One of the most striking intellectual developments of the postrevolutionary period in Europe was the growth of interest in groups and communities, both as constituents of society and as influences on individual personality and behavior.”33 Reacting to “the destruction of parish, guild, and other primary groups during the French Revolution,” reactionary and progressive thinkers alike broke with the eighteenth century’s “atomistic conception of society as a network of specific and willed relationships entered into by free, autonomous and rational individuals.”34 Marx himself, in his early essay on the “Jewish Question,” homed in on the contradiction between the “living individual,” as a social and economic (as well as religious) subject, and the abstract citoyen or citizen. If the living individual
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来源期刊
Grey Room
Grey Room HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
5
期刊介绍: Grey Room brings together scholarly and theoretical articles from the fields of architecture, art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contemporary concerns. Publishing some of the most interesting and original work within these disciplines, Grey Room has positioned itself at the forefront of current aesthetic and critical debates. Featuring original articles, translations, interviews, dossiers, and academic exchanges, Grey Room emphasizes aesthetic practice and historical and theoretical discourse that appeals to a wide range of readers, including architects, artists, scholars, students, and critics.
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Anthony Vidler, “All My Work Is Accidental” Out of Reach: Photographs of Child Nudists Anthony Vidler and the Occasional Writing of Architectural Theory Coming Attraction: The Event of Color, Techniques of Screening and Filtering in Early “Natural” Color Film and Photography Manual Operations: Joan Lyons's Haloid Xerox Works and Feminized Labor
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