“伤残退伍军人”:俄罗斯伟大战争和革命的另类历史

IF 0.3 3区 历史学 Q2 HISTORY KRITIKA-EXPLORATIONS IN RUSSIAN AND EURASIAN HISTORY Pub Date : 2023-01-01 DOI:10.1353/kri.2023.0001
Alexandre Sumpf
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引用次数: 0

摘要

乔治·格罗兹关于受伤的肉体和荒谬的机器的绘画已经成为我们集体想象的一部分,即使是前苏联的电影制作人,很久以前就帮助这位残疾老兵成为了第一次世界大战时代的原型之一。1然而,战争中的两位伟大战士——法国和俄罗斯——脱颖而出,事实上,与德国、英国、美国、意大利、比利时和澳大利亚丰富的退伍军人历史记录相比,这种对比是惊人的
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"By and for Disabled Veterans": An Alternative History of Russia's Great War and Revolution
Georges Grosz’s paintings of wounded flesh and absurd machinery have become part of our collective imagination, and filmmakers, even in the former USSR, long ago helped establish the disabled veteran as one of the archetypes of the Great War era.1 Two of the war’s great combatants—France and Russia—stand out, however, for the relative lack of attention paid to their disabled veteran communities.2 Indeed, compared to the rich historiographies on veterans in Germany, Great Britain, the United States, Italy, Belgium, and Australia, the contrast is striking.3 That has led to the unfortunate overshadowing of the experience of more than 1.14 million ex-servicemen of
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
51
期刊介绍: A leading journal of Russian and Eurasian history and culture, Kritika is dedicated to internationalizing the field and making it relevant to a broad interdisciplinary audience. The journal regularly publishes forums, discussions, and special issues; it regularly translates important works by Russian and European scholars into English; and it publishes in every issue in-depth, lengthy review articles, review essays, and reviews of Russian, Eurasian, and European works that are rarely, if ever, reviewed in North American Russian studies journals.
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