Janelle Monáe对黑人性别身体的服装重新概念化

IF 0.5 Q3 CULTURAL STUDIES Open Cultural Studies Pub Date : 2022-01-01 DOI:10.1515/culture-2022-0164
T. Walters
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引用次数: 0

摘要

摘要Janelle Monáe以其黑白服装、蓬帕杜发型、詹姆斯·布朗风格的舞蹈动作、机器人的另一个自我(Cindi Mayweather饰)以及对非洲主义的执着而闻名。Monáe也以政治著称。她参加了无数次“黑人的命也是命”集会和华盛顿妇女大游行,并倡导LGBTQI+社区,这证明她决心利用自己的平台来引起人们对社会正义问题的关注,这些问题影响着那些被白人至上主义、性别歧视、恐同症和厌女症边缘化的人。Monáe的政治立场在讲台上和她独特的着装中都得到了表达。这场讨论考虑了Monáe服装选择的激进性质,并提请人们注意一个黑人酷儿女性如何利用服装作为文本来违反性别规范,并参与一场不尊重政治的话语,这场话语重新定义了黑人性别化的身体。
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Janelle Monáe’s Sartorial Reconceptualization of the Black Gendered Body
Abstract Janelle Monáe is known for her black and white attire, pompadour hairstyles, James Brown-inspired dance moves, android alter-ego (Cindi Mayweather), and bent toward Afrofuturism. Monáe is also known for her politics. Her participation in countless Black Lives Matter rallies and the Women’s March on Washington and her advocacy for the LGBTQI+ community prove a determination to use her platform to draw attention to social justice issues impacting those marginalized by white supremacy, sexism, homophobia, and misogynoir. Monáe’s politics have been expressed both at the podium and through her distinctive attire. This discussion considers the radical nature of Monáe’s sartorial choices and draws attention to how a black queer woman uses clothing as a text to transgress gender norms and to engage in a discourse of disrespectability politics, which reconceptualizes the black gendered body.
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来源期刊
Open Cultural Studies
Open Cultural Studies CULTURAL STUDIES-
CiteScore
0.80
自引率
0.00%
发文量
18
审稿时长
15 weeks
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