我是如何遇见你的粉丝的:我如何遇见你母亲及其重生的比较文本分析

IF 0.5 Q3 CULTURAL STUDIES Open Cultural Studies Pub Date : 2023-01-01 DOI:10.1515/culture-2022-0170
Can Koçak
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引用次数: 0

摘要

摘要自从《我是如何遇见你母亲的》第九季于2014年结束以来,人们多次尝试基于类似的前提创作一个新的系列——一位父母告诉他们的孩子他们是如何遇见另一位父母的。《我是如何遇见你爸爸的》(HIMYD)原定于2014年在HIMYM决赛后开播,但没有被任何电视台选中,而《我是怎样遇见你爸爸》(HIMYF)于2022年开播,正在继续取得成功 K家庭,在电视时间排行榜上排名第五,并在榜单上再呆了四周(the Entertainment Strategy Guy)。]目前已进入第二季。本文比较了这三个系列的前几集的叙事和叙述,包括主题、反复出现的笑话、声音和视觉效果、重要人物和“失踪”父母的介绍,以及客串的使用。通过这样做,它旨在深入研究其中一种重启尝试比另一种更受欢迎的原因。答案是HIMYD和HIMYF的风扇服务量之间的差异,后者与HIMYM建立了更直接的连接。除了成为创意人员的一种相当普遍的趋势外,这篇文章还声称,粉丝服务似乎也被网络和制作公司用作确保观众参与的一种方式。
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How I Met Your Fans: A Comparative Textual Analysis of How I Met Your Mother and Its Reboots
Abstract Since How I Met Your Mother (HIMYM) ended in 2014 with its ninth season, there have been multiple attempts to create a new series based on a similar premise – one parent telling their kid(s) how they met their other parent. How I Met Your Dad (HIMYD), which was planned to begin in 2014 right after HIMYM’s final, was not picked up by any network, while How I Met Your Father (HIMYF), which started airing in 2022, is continuing a successful [Upon its release, the show, whose premiere was watched in 420 K households, held the fifth place on the TV time charts and went on to stay on the list for four more weeks (The Entertainment Strategy Guy).] run, currently in its second season. This article compares the narrative and narration of the first episodes of these three series, including themes, recurring jokes, sound and visual effects, introductions of important characters and the “missing” parent, as well as the use of cameos. By doing this, it aims to delve into the reason behind why one of these reboot attempts was favoured over the other. The answer is provided as the difference between the amount of fan service in HIMYD and HIMYF, with the latter establishing more direct connections with HIMYM. In addition to becoming a rather common tendency by creatives, this article claims that fan service also seems to be used by networks and production companies as a way of ensuring audience engagement.
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来源期刊
Open Cultural Studies
Open Cultural Studies CULTURAL STUDIES-
CiteScore
0.80
自引率
0.00%
发文量
18
审稿时长
15 weeks
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