佩尼扬·多洛·梅萨里坦丹·拉马托托歌曲的音乐结构分析

Sostenes Mono Tandililing, S. Sunarto, Widodo Widodo
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引用次数: 0

摘要

Penanian Dolo这是一首由荷兰福音传道者带来的精神歌曲,伴随着荷兰在塔纳托拉贾的殖民事件。Penanian Dolo是一首最初用于Tana Toraja基督教礼拜仪式的歌曲。随着时间的推移,甘当巴图人民在抬尸(Ma'bulle Tomate)的队伍中使用了佩尼亚多洛音乐。本研究旨在确定佩尼亚多罗音乐Mesa'ri Tendan Lamatoto的形式和结构。本研究采用的研究方法是运用社会学和音乐学的方法进行定性研究。研究结果表明,Penanian Dolo音乐,歌曲Mesa'ri Tendan Lamatoto是一种由一个句子/时期组成的共8小节的单声部歌曲形式。歌曲Mesa'ri Tendan Lamatoto有两个从句,即疑问句/先行短语(第1-4小节)和回答句/后果短语(第5-8小节)。每个句子都有相同数量的小节,但在结果短语主题中,有一些句子的长度不相同,换句话说,它们是不对称的。之所以会发生这种情况,是因为基序的划分必须注意句子的完整性,因为句子的统一性比每个音调的重要性更重要。歌曲的主题从主音和弦开始,以主音和弦到主音和弦(完美的抑扬顿挫)结束。主要图案的发展使用重复技术。歌曲Mesa'ri Tendan Lamatoto中使用的节奏使用了三种类型的音符值,即not、音符¼和音符1/8。Mesa'ri Tendan Lamatoto歌曲中使用的小节或节拍模式使用4/4小节,这意味着一个小节中有四个四分音符。Mesa'ri Tendan Lamatoto歌曲中使用的节奏是适中的,意思是适中,速度为每分钟92-104拍。佩尼亚多洛歌曲中使用的旋律作为一个整体使用全音阶。另一方面,Mesa'ri Tendan Lamatoto的歌词包含了对全能者的崇拜和投降。歌曲Penanian Dolo中使用的旋律作为一个整体使用全音阶。另一方面,歌曲Mesa'ri Tendan Lamatoto中的诗歌包含了对全能者的崇拜和臣服。佩尼亚多洛歌曲中使用的旋律作为一个整体使用全音阶。另一方面,Mesa'ri Tendan Lamatoto的歌词包含了对全能者的崇拜和投降。
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Analysis Of the Structure of Music Penanian Dolo Mesa'ri Tendan Lamatoto' Song
Penanian Dolo This is a spiritual song brought by evangelists from the Netherlands along with the Dutch colonial events in Tana Toraja. Penanian Dolo is a song or song that was originally used in the liturgy of Christian worship in Tana Toraja. Over time, Penanian Dolo was used by the people of Gandangbatu in the procession of carrying the corpse (Ma'bulle Tomate).This study aims to determine the form and structure of Penanian Dolo music, Mesa'ri Tendan Lamatoto'. The research method used in this research is qualitative research using sociology and musicology approaches. The results of the study show that Penanian Dolo music, the song Mesa'ri Tendan Lamatoto'is a one-part song form with a total of 8 bars composed of one sentence/period. The song Mesa'ri Tendan Lamatoto' has two clauses, namely interrogative sentences/antecedent phrases (bars 1 – 4) and answer sentences/consequences phrases (bars 5 – 8). Each has the same number of bars but in the consequence phrase motif there are sentence pieces that are not the same length, in other words, they are not symmetrical. This can happen because the division of motifs must pay attention to the integrity of a sentence because the unity of the sentence is more important than the importance of each tone. The motif of the song begins with a tonic chord and ends with a dominant chord to a tonic chord (perfect cadences). The development of dominant motifs uses repetition techniques. The rhythm used in the song Mesa'ri Tendan Lamatoto' uses three types of note values, namely not , notes ¼ and notes 1/8 . The measure or beat pattern used in Mesa'ri Tendan Lamatoto's song uses 4/4 measure, which means that there are four quarter notes in one measure. The tempo used in Mesa'ri Tendan Lamatoto song is moderato which means moderate with a speed of 92-104 beats per minute. The melody used in the Penanian Dolo song as a whole uses diatonic scales. On the other hand, the lyrics in Mesa'ri Tendan Lamatoto' contain aspects of worship and surrender to the almighty. The melody used in the song Penanian Dolo as a whole uses a diatonic scale. On the other hand, the poems in the song Mesa'ri Tendan Lamatoto' contain aspects of worship and submission to the almighty. The melody used in the Penanian Dolo song as a whole uses diatonic scales. On the other hand, the lyrics in Mesa'ri Tendan Lamatoto' contain aspects of worship and surrender to the almighty.
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