斯瓦希里故事中的城市空间:达累斯萨拉姆的例子

Q2 Arts and Humanities Kervan Pub Date : 2018-11-19 DOI:10.13135/1825-263X/2250
Graziella Acquaviva
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引用次数: 1

摘要

很多时候,文学提供了一种既有常识又有集体想象的城市景象。因此,通过研究文献,我们有时可以更好地了解一些未被探索的“领域”。以达累斯萨拉姆为例,小说和短篇小说展现了对城市的两种不同解读,它们涉及不同的地方和美学,并暗示了城市结构和叙事文本之间的有趣类比。阅读20世纪末出版的斯瓦希里语小说,我们可以了解城市结构和城市空间:贫困、移民和非法活动将读者带到一个虚构但非常真实的达累斯萨拉姆。
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Spazi e luoghi urbani nella narrativa swahili: il caso di Dar es Salaam
Very often, literature provides visions of the city that are typical of both common sense and collective imagination. Therefore, investigating literature we can sometimes better understand some unexplored ‘territories’. In the case of Dar es Salaam, novels and short stories show two different interpretation of the city, concerned as they are with different places and aesthetics, and suggesting an interesting analogy between the city structure and the narrative text.  Reading Swahili fiction published at the end of the 20 th century, we get a survey of both urban texture and a picture of the urban space: poverty, migration and illegal activities drive the reader to a fictionalised, yet very real, Dar es Salaam.
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来源期刊
Kervan
Kervan Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
18 weeks
期刊介绍: The journal has three main aims. First of all, it aims at encouraging interdisciplinary research on Asia and Africa, maintaining high research standards. Second, by providing a global forum for Asian and African scholars, it promotes dialogue between the global academic community and civil society, emphasizing patterns and tendencies that go beyond national borders and are globally relevant. The third aim for a specialized academic journal is to widen the opportunities for publishing worthy scholarly studies, to stimulate debate, to create an ideal agora where ideas and research results can be compared and contrasted. Another challenge is to combine a scientific approach and the interest for cultural debate, artistic production, biographic narrative, etcetera. This journal wants to be original (even hybrid) also in its structure, where academic rigor should not hinder access to the vitality of experience and of artistic and cultural production.
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