凯拉科尔山与阿克苏河谷“东方”形态的岩画

S. Yarygin, N. Ilderyakov
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引用次数: 0

摘要

本文致力于出版位于哈萨克斯坦共和国阿拉木图地区阿克苏地区的凯拉科尔山脉和阿克苏河谷的岩石艺术新纪念碑。从地理上看,这些山脉是准噶尔阿拉陶系统的一部分,位于半雷赤河东部。给出了三幅版画和一组三簇几何符号的描述。这些图纸是在2020年和2021年在Tausamaly的Late Pazyryk墓地附近的勘探工作中发现的,该墓地位于Kairakkol山的西部边缘、Suuk高原的岩石露头和Aksu河的山谷。通过对该地区的考察,有可能记录到大量从青铜器时代到民族志时代的岩画。其中大部分可以追溯到早期铁器时代和中世纪。在墓地附近发现了一大群塔姆加和类似塔姆加的标志。有几个岩画在其他岩画中脱颖而出,它们在西伯利亚南部、中亚东部地区和中国都有类似的图案。名单上包括一个有着复杂发型或复杂头饰的拟人化人物、一个骑着两匹马的骑手和一条龙。它们旁边有三幅图画,包括几何图形(简单的线条、圆形标志)、各种类型和形状的击倒物、洞、动物的图像,还有一个例子是骑手。它们构成了表意文字性质的复杂组合。对这些图画的比较历史分析表明,它们的创造者与阿尔泰、米努辛斯克盆地的游牧民族,甚至可能与中国北方的部落有着文化联系。这些图画的年代暂定为公元前一千年末或两个时代的边界。
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Petroglyphs of “Eastern” Appearance in the Kairakkol Mountains and the Aksu River Valley
The article is devoted to the publication of new monuments of rock art in the Kairakkol mountains and the Aksu river valley, located in the Aksu district of the Almaty region of the Republic of Kazakhstan. Geographically, the mountains are part of the Dzhungar Alatau system and are located in the eastern Semirechye. A description of three engravings and a group of three clusters of geometric signs is given. The drawings were discovered during exploration work in the vicinity of the Late Pazyryk burial ground of Tausamaly in 2020 and 2021 in the western spurs of the mountain Kairakkol, rocky outcrops of the Suuk plateau, and the mountain valley of the Aksu river. As a result of the area examination, it was possible to record a large number of petroglyphs dating back from the Bronze Age to the ethnographic time. Much of it definitely dates back to the early Iron Age and the Middle Ages. A large group of tamgas and tamga-like signs was found near the burial ground. Several petroglyphs stand out clearly among other petroglyphs, which have pictorial analogies in southern Siberia, eastern regions of Central Asia, and China. The list includes an anthropomorphic figure with a complex hairstyle or in a complex headdress, a rider about a two-horse, and a dragon. They are adjoined by three drawings, including geometric figures (simple lines, circular signs), knockouts of various types and shapes, holes, images of animals, and, in one case, a rider. They form complex compositions of ideogrammatic nature. A comparative historical analysis of the drawings shows the cultural ties of their creators with the nomads of Altai, the Minusinsk Basin, and, possibly, with the tribes of Northern China. The drawings are tentatively dated to the end of the 1st millennium BC or the border of two eras.
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Nizhnevolzhskii arkheologicheskii vestnik
Nizhnevolzhskii arkheologicheskii vestnik Arts and Humanities-Archeology (arts and humanities)
CiteScore
0.70
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18
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