Ketapang县Gerai村的Senggayung音乐:形式与文化认同研究

Harriska Harriska, T. Florentinus
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引用次数: 2

摘要

Senggayung音乐被归类为一种由竹子制成的独特乐器。Senggayung音乐只存在于Ketapang区,是其他地区不拥有的独特音乐。本研究的目的是通过对僧伽雍音乐的形式分析,并通过僧伽雍的音乐来识别Gerai村社区的文化身份。所使用的方法是一种跨学科的方法,涉及民族音乐学和人类学学科。通过观察、访谈和文献研究收集数据的技术。数据有效性技术使用数据三角测量技术的可信度。通过数据收集、数据缩减、数据展示以及结论验证或撤回的方式进行数据分析。研究结果表明,从器质学角度看,僧伽雍属于特有的竹制乐器。Senggayung是一首反映Ketapang县乡村社区文化特征的音乐。Senggayung在使用社区仪式的过程中,开始之前长老念咒语,让老百姓参与仪式的过程。Senggayung由长老们教给年轻一代的Senggayong保持可持续发展,不会灭绝。构成文化认同的一些因素是:(1)信仰,(2)语言,(3)行为模式,这反映在Senggayung身上,是一种文化认同。
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Senggayung Music in Gerai Village, Ketapang Regency: The Study of The Form and Cultural Identity
Senggayung music classified as an idiophone musical instrument that is made of bamboo. Senggayung music only exist in Ketapang District, unique music that is not owned by other regions. This study aims to analyze the form of Senggayung music and identify the cultural identity of the Gerai Village community through Senggayung music. The approach used is an interdisciplinary approach involving ethnomusicology and anthropology disciplines. Technique of collecting data with observation, interview, and study of documentation. Data validity techniques use credibility with data triangulation techniques. Data analysis by means of data collection, data reduction, data presentation, and verification or withdrawal of conclusions. The results of this study show, When viewed from the organology, Senggayung belong to idiophone musical instruments made of bamboo. Senggayung is a music that reflects the cultural identity of the village community of Ketapang regency. Senggayung used in the process of community ceremony, before starting the elders read the Spells to raoh ancestors participate in the ceremony process. Senggayung taught to the young generation by the elders for Senggayung remain sustainable and not extinct. Some of the factors that make up the cultural identity are (1) belief, (2) language, (3) behavior pattern which is reflected in Senggayung is a cultural identity.
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发文量
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审稿时长
24 weeks
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