{"title":"期望的转变：20世纪之交的金属制品与非洲艺术的接受","authors":"Yaëlle Biro","doi":"10.1086/721200","DOIUrl":null,"url":null,"abstract":"The European reception of gold and brass castings from West Africa was steeped in contradictions at the turn of the twentieth century: on the one hand, the works were admired for their technical mastery and the inherent value of their media; on the other, the narratives of imperial submission with which they were entangled left little room for sober appreciation.","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Shifting Expectations: Metalwork and the Reception of African Arts at the Turn of the Twentieth Century\",\"authors\":\"Yaëlle Biro\",\"doi\":\"10.1086/721200\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The European reception of gold and brass castings from West Africa was steeped in contradictions at the turn of the twentieth century: on the one hand, the works were admired for their technical mastery and the inherent value of their media; on the other, the narratives of imperial submission with which they were entangled left little room for sober appreciation.\",\"PeriodicalId\":53917,\"journal\":{\"name\":\"West 86th-A Journal of Decorative Arts Design History and Material Culture\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"West 86th-A Journal of Decorative Arts Design History and Material Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/721200\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"West 86th-A Journal of Decorative Arts Design History and Material Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/721200","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Shifting Expectations: Metalwork and the Reception of African Arts at the Turn of the Twentieth Century
The European reception of gold and brass castings from West Africa was steeped in contradictions at the turn of the twentieth century: on the one hand, the works were admired for their technical mastery and the inherent value of their media; on the other, the narratives of imperial submission with which they were entangled left little room for sober appreciation.
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