古代遗存:与佛教文化新形成的联系被指定为“艺术”或“文化资产”

IF 0.1 3区 哲学 0 ASIAN STUDIES Journal of Korean Religions Pub Date : 2019-06-10 DOI:10.1353/JKR.2019.0001
Kang Hee-jung
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引用次数: 1

摘要

摘要:日本帝国学者在吞并朝鲜之前对朝鲜的佛教艺术进行了调查,在吞并朝鲜后不久,他们开始了对这些被调查文物的修复工作。本文旨在通过对时代照片的考察,来回顾韩国佛教艺术复原背景下的变化。日本出版商经常使用韩国文化遗产修复前后拍摄的照片。通过这些现代日本出版和教育的努力,韩国人开始将他们的佛教文化财产视为属于过去的需要保存和保护的物品。韩国的佛教文化属性,曾经是热切祈祷的中心,现在变成了审美和智力欣赏的对象。因此,这一时期的韩国人开始将韩国佛教物质遗产的对象视为“观光”或“教育精致”问题,而不是宗教信仰问题。
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The Remains from Ancient Times: Newly Formed Connections with Buddhist Culture Designated as “Art” or “Cultural Assets”
Abstract:Imperial Japanese scholars investigated Buddhist art in Korea prior to their country’s annexation of Korea, and shortly after that annexation they commenced their restoration work on those investigated cultural artifacts. This paper aims to review the changes in the context of restored Korean Buddhist art through an examination of period photographs. Japanese publishers made frequent use of photographs of Korean cultural properties taken before and after their restoration. Through these modern Japanese publishing and education efforts, Koreans came to perceive their Buddhist cultural properties as objects belonging to the past to be preserved and protected. Korea’s Buddhist cultural properties, which had once been pivots of ardent prayers, changed into objects of aesthetic and intellectual appreciation. As a result, Koreans of the period came to consider the objects of Korea’s Buddhist material heritage as the subjects of “sightseeing” or questions of “educational refinement” rather than of religious faith.
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