创伤(自我)放逐:德国近战后小说的叙事边缘化

IF 0.2 4区 社会学 Q4 AREA STUDIES German Studies Review Pub Date : 2023-05-01 DOI:10.1353/gsr.2023.0040
Catherine McNally
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引用次数: 0

摘要

本文考察了Jenny Erpenbeck 2015年的小说《Gehen, Ging, Gegangen》和Bodo Kirchhoff 2016年的中篇小说《Widerfahrnis》中移民的表现。我将这些文本置于历史和文学语境中,其根源可以追溯到战后德国文学的第一代,特别是海因里希Böll和格内特尔·格拉斯的作品。在格拉斯和Böll的战后小说中,德国人对战争及其后果的经历都是突出的,重点放在德国战后的创伤上,而大屠杀的犹太受害者仍然处于背景之中。本文提出了Böll和Grass的战后文本与最近的小说Gehen, Ging, Gegangen和Widerfahrnis之间的主题连续性:在每个文学时代,德国白人男性的经历都是突出的,有效地抹去了边缘人物的经历。
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Traumatic (Self) Exile: Narrative Marginalization in Recent and Postwar German Fiction
abstract:This article examines representations of migrants in Jenny Erpenbeck’s 2015 novel Gehen, Ging, Gegangen and Bodo Kirchhoff’s 2016 novella Widerfahrnis. I locate these texts in historical and literary contexts, the roots of which can be traced to the first generation of postwar German literature, particularly the works of Heinrich Böll and Günter Grass. In both Grass’s and Böll’s postwar fiction, German experiences of the war and its aftermath are foregrounded, and focus is placed on German postwar trauma, while the Jewish victims of the Holocaust remain in the background. This article proposes a thematic continuum between the postwar texts of Böll and Grass and the more recent novels Gehen, Ging, Gegangen and Widerfahrnis: in each literary era, the experience of the white German male is foregrounded, effectively erasing the experience of marginalized figures.
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