对Jan Dibbets摄影图像的反思

Rubén Alberto Gramon
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引用次数: 0

摘要

摄影是捕捉现实的一种可能方式。尽管,就像任何其他对现实的表现一样,它是人为的,因为它通过主导摄影的视角规则来改变它。它将三维对象更改为二维图像。巴特说,“在图像中,正如萨特所说,物体完全屈服,我们对它的看法肯定与文本或其他看法相反,这些看法以模糊、可论证的方式赋予我物体,因此煽动我对我所看到的东西产生怀疑”(巴特1980[1981]106)。然而,在Jan Dibbets的《透视修正》系列中,图像并没有完全屈服,我们对它的视觉也不确定它看到了什么,相反,作者让我们不信任我们认为自己看到了什么。
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Reflexiones sobre las imágenes fotográficas de Jan Dibbets
Photography is one possible way to capture reality. Although, like any other representation of reality, it is artificial, because it transforms it by the rules of perspective that dominate photography. It changes the three-dimensional object into a two-dimensional image. Barthes says that «In the image, as Sartre says, the object yields itself wholly, and our vision of it is certain-contrary to the text or to other perceptions which give me the object in a vague, arguable manner, and therefore incite me to suspicions as to what I think I am seeing» (Barthes 1980 [1981], 106). However, in the series Perspective correction by Jan Dibbets, the image does not yield itself wholly, and our vision of it is not certain of what it sees, on the contrary, the author invites us to distrust what we think we see.
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