{"title":"阅读一本失落的书:本·琼森的Epigrames(约1612年)和一次性作者","authors":"Tara L. Lyons","doi":"10.1086/722729","DOIUrl":null,"url":null,"abstract":"The discovery of the title “Ben Jhonsons Epigrammes” in an administrative record dated 1614 from the Bodleian Library prompts this new assessment of Jonson’s epideictic poems and their publication history. While it is often believed that Jonson’s epigrams appeared for the first time in print in his folio of Workes (1616), this essay presents a growing body of evidence proving that a small, flimsy octavo edition entitled Epigrammes was circulating as early as 1612. By reading the many traces of this title in early-seventeenth-century records, this essay charts how the sixpenny pamphlet became a “lost book,” both removed from the shelves of the Bodleian Library and erased from scholarly narratives that were invested in Jonson as a “possessive” author. Reading this lost book of Epigrammes offers scholars a different version of Jonson’s print identity, what I call his “disposable” authorship, an affinity for gaining fame by embracing publication in cheap, handy, and materially vulnerable books. [T.L.]","PeriodicalId":44199,"journal":{"name":"ENGLISH LITERARY RENAISSANCE","volume":null,"pages":null},"PeriodicalIF":0.6000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Reading a Lost Book: Ben Jonson’s Epigrammes (c.1612) and Disposable Authorship\",\"authors\":\"Tara L. Lyons\",\"doi\":\"10.1086/722729\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The discovery of the title “Ben Jhonsons Epigrammes” in an administrative record dated 1614 from the Bodleian Library prompts this new assessment of Jonson’s epideictic poems and their publication history. While it is often believed that Jonson’s epigrams appeared for the first time in print in his folio of Workes (1616), this essay presents a growing body of evidence proving that a small, flimsy octavo edition entitled Epigrammes was circulating as early as 1612. By reading the many traces of this title in early-seventeenth-century records, this essay charts how the sixpenny pamphlet became a “lost book,” both removed from the shelves of the Bodleian Library and erased from scholarly narratives that were invested in Jonson as a “possessive” author. Reading this lost book of Epigrammes offers scholars a different version of Jonson’s print identity, what I call his “disposable” authorship, an affinity for gaining fame by embracing publication in cheap, handy, and materially vulnerable books. [T.L.]\",\"PeriodicalId\":44199,\"journal\":{\"name\":\"ENGLISH LITERARY RENAISSANCE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ENGLISH LITERARY RENAISSANCE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/722729\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ENGLISH LITERARY RENAISSANCE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/722729","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
Reading a Lost Book: Ben Jonson’s Epigrammes (c.1612) and Disposable Authorship
The discovery of the title “Ben Jhonsons Epigrammes” in an administrative record dated 1614 from the Bodleian Library prompts this new assessment of Jonson’s epideictic poems and their publication history. While it is often believed that Jonson’s epigrams appeared for the first time in print in his folio of Workes (1616), this essay presents a growing body of evidence proving that a small, flimsy octavo edition entitled Epigrammes was circulating as early as 1612. By reading the many traces of this title in early-seventeenth-century records, this essay charts how the sixpenny pamphlet became a “lost book,” both removed from the shelves of the Bodleian Library and erased from scholarly narratives that were invested in Jonson as a “possessive” author. Reading this lost book of Epigrammes offers scholars a different version of Jonson’s print identity, what I call his “disposable” authorship, an affinity for gaining fame by embracing publication in cheap, handy, and materially vulnerable books. [T.L.]
期刊介绍:
English Literary Renaissance is a journal devoted to current criticism and scholarship of Tudor and early Stuart English literature, 1485-1665, including Shakespeare, Spenser, Donne, and Milton. It is unique in featuring the publication of rare texts and newly discovered manuscripts of the period and current annotated bibliographies of work in the field. It is illustrated with contemporary woodcuts and engravings of Renaissance England and Europe.