牛奶和蜂蜜之地:山羊、蜜蜂和维吉尔的诗歌身份

IF 0.9 2区 历史学 0 CLASSICS CLASSICAL ANTIQUITY Pub Date : 2023-04-01 DOI:10.1525/ca.2023.42.1.19
C. Campbell
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引用次数: 0

摘要

本文通过将山羊视为该集的纲领性诗歌象征,对《神曲》的诗歌关注提供了一个新的视角。它展示了维吉尔如何通过借用和转换另一种动物蜜蜂的既定诗歌身份,从Theocritus’Idylls的田园景观中为他的田园世界中的山羊改编出一种新的诗歌身份。特别是,它追溯了词源游戏和标记的意义和复杂性,以加深我们对维吉尔在他的作品和提奥克里特的作品之间建立的关系的理解,并展示了这种从蜜蜂到山羊的诗歌身份转变是如何建立起维吉尔的罗马田园概念的。它特别考虑将《Idyll 10》作为《Eclogues》的灵感来源,以期恢复这首诗对维吉尔田园诗收藏的重要性。
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The Land of Milk and Honey: Goats, Bees, and the Poetic Identity of Virgil’s Eclogues
This article offers a new perspective on the poetic concerns of the Eclogues by looking at goats as the programmatic poetic symbol of the collection. It shows how Virgil has adapted a new poetic identity for the goats of his pastoral world from the bucolic landscape of Theocritus’ Idylls by borrowing and transforming the established poetic identity of a different animal, the bee. In particular, it traces the significance and intricacies of etymological play and markers to deepen our understanding of the relationship Virgil creates between his work and that of Theocritus, and shows how this shift in poetic identity from bees to goats establishes a Virgilian conception of Roman pastoral. It gives especial consideration to Idyll 10 as a source text of inspiration for the Eclogues, with an eye to rehabilitating the importance of this poem to Virgil’s bucolic collection.
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CiteScore
1.10
自引率
20.00%
发文量
6
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