看到芭芭拉布雷:马立克Kędzierski在芭芭拉布雷-芭芭拉布雷在塞缪尔贝克特

IF 0.3 4区 文学 0 LITERARY THEORY & CRITICISM JOURNAL OF BECKETT STUDIES Pub Date : 2023-04-01 DOI:10.3366/jobs.2023.0391
Marek Kȩdzierski
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引用次数: 0

摘要

《看见芭芭拉·布雷》是为芭芭拉·布雷的肖像写就的,她在塞缪尔·贝克特把《所有的秋天》的文本发送给BBC第三节目后不久遇到了他。作为剧本编辑和制片人,她为作者的第一部广播剧提供咨询,并在随后的作品中与英国广播公司合作播出。从20世纪60年代初开始,布雷常驻巴黎,主要从事文学翻译工作。随着时间的推移,他们之间的联系越来越紧密,亲密关系也随之而来。布雷博学多才,善于用最简单的方式呈现复杂的问题,他为贝克特提供的不仅仅是翻译建议,还鼓励他写作,编辑他的文本,充当他的“传声板”。她非常谦虚和独立,一直保持低调,直到2010年去世。直到《塞缪尔·贝克特书信集》的最后两卷(分别是2014年和2016年)出版后,她在他的生活和写作中所扮演的角色才为普通读者所熟知。在他的个人叙述中,Marek Kedzierski主要关注贝克特写给布雷的信,她对这些信的评论,以及她未完成的回忆录,他引用了其中的几段。从布雷2003-2009年与她的对话记录中,他的文章以布雷的个人忏悔结束,向我们揭示了她深深的痛苦,以及她拒绝成为塞缪尔·贝克特生活中“看不见的女人”。
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Seeing Barbara Bray: Marek Kędzierski on Barbara Bray – Barbara Bray on Samuel Beckett
Seeing Barbara Bray was written as a sketch for a portrait of Barbara Bray, who met Samuel Beckett shortly after he sent the text of All That Fall to BBC's Third Programme. As script editor and producer, she consulted with the author on his first radio drama and collaborated on subsequent works broadcast by the BBC. From the early 1960s, Bray, based in Paris, worked mainly as a literary translator. Over time a strong bond between them developed and an intimate relationship ensued. Erudite and with a gift for rendering complex issues in the least complicated way, Bray provided Beckett with much more than translating advice, encouraging him in his writing, editing his texts, and acting as his “sounding board”. Very modest and discrete, she kept a low profile until her death in 2010. It was only with the publication of the two last volumes of The Letters of Samuel Beckett (2014, 2016 respectively), that her role in his life and writing became apparent to the general readership. In his personal account, Marek Kedzierski focuses principally on Beckett's letters to Bray, her comments on them, and on her unfinished memoir from which he quotes several passages. Drawing from conversations with her recorded by him in 2003-2009, his essay ends with Bray's personal confession revealing to us her deep pain and her refusal to be “the invisible woman” in Samuel Beckett's life.
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CiteScore
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