{"title":"作为当代自治区的工作室:电子音乐的危机与创造力","authors":"P. Chambers","doi":"10.12801/1947-5403.2020.12.01.10","DOIUrl":null,"url":null,"abstract":"This article explores electronic music making in a context of precarity and climate crisis. I use ethnographic research conducted in the Australian city of Adelaide and the provocative ideas of nineteenth century German philosopher, Max Stirner, to situate the electronic music studio as a contemporary autonomous zone, an interface between creative expression and capitalist existence. I argue that the studio functions as a physical and psychological space to develop what Stirner termed “ownness”, taking possession and realizing one’s own capacity and power. I propose ownness as a theoretical tool for understanding the studio as a site of self-realisation and micropolitical action, investigating how electronic music practice shapes subjectivity, autonomy and resistance. The contemporary studio emerges as a refuge from the anxieties and uncertainties of late-capitalism, a therapeutic outlet and means of becoming, an opportunity to find voice and vocation in the violence of the present.","PeriodicalId":50569,"journal":{"name":"Distributed Computing","volume":null,"pages":null},"PeriodicalIF":1.3000,"publicationDate":"2020-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"The Studio as Contemporary Autonomous Zone: Crisis and Creativity in Electronic Music\",\"authors\":\"P. Chambers\",\"doi\":\"10.12801/1947-5403.2020.12.01.10\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article explores electronic music making in a context of precarity and climate crisis. I use ethnographic research conducted in the Australian city of Adelaide and the provocative ideas of nineteenth century German philosopher, Max Stirner, to situate the electronic music studio as a contemporary autonomous zone, an interface between creative expression and capitalist existence. I argue that the studio functions as a physical and psychological space to develop what Stirner termed “ownness”, taking possession and realizing one’s own capacity and power. I propose ownness as a theoretical tool for understanding the studio as a site of self-realisation and micropolitical action, investigating how electronic music practice shapes subjectivity, autonomy and resistance. The contemporary studio emerges as a refuge from the anxieties and uncertainties of late-capitalism, a therapeutic outlet and means of becoming, an opportunity to find voice and vocation in the violence of the present.\",\"PeriodicalId\":50569,\"journal\":{\"name\":\"Distributed Computing\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2020-11-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Distributed Computing\",\"FirstCategoryId\":\"94\",\"ListUrlMain\":\"https://doi.org/10.12801/1947-5403.2020.12.01.10\",\"RegionNum\":4,\"RegionCategory\":\"计算机科学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"COMPUTER SCIENCE, THEORY & METHODS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Distributed Computing","FirstCategoryId":"94","ListUrlMain":"https://doi.org/10.12801/1947-5403.2020.12.01.10","RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMPUTER SCIENCE, THEORY & METHODS","Score":null,"Total":0}
The Studio as Contemporary Autonomous Zone: Crisis and Creativity in Electronic Music
This article explores electronic music making in a context of precarity and climate crisis. I use ethnographic research conducted in the Australian city of Adelaide and the provocative ideas of nineteenth century German philosopher, Max Stirner, to situate the electronic music studio as a contemporary autonomous zone, an interface between creative expression and capitalist existence. I argue that the studio functions as a physical and psychological space to develop what Stirner termed “ownness”, taking possession and realizing one’s own capacity and power. I propose ownness as a theoretical tool for understanding the studio as a site of self-realisation and micropolitical action, investigating how electronic music practice shapes subjectivity, autonomy and resistance. The contemporary studio emerges as a refuge from the anxieties and uncertainties of late-capitalism, a therapeutic outlet and means of becoming, an opportunity to find voice and vocation in the violence of the present.
期刊介绍:
The international journal Distributed Computing provides a forum for original and significant contributions to the theory, design, specification and implementation of distributed systems.
Topics covered by the journal include but are not limited to:
design and analysis of distributed algorithms;
multiprocessor and multi-core architectures and algorithms;
synchronization protocols and concurrent programming;
distributed operating systems and middleware;
fault-tolerance, reliability and availability;
architectures and protocols for communication networks and peer-to-peer systems;
security in distributed computing, cryptographic protocols;
mobile, sensor, and ad hoc networks;
internet applications;
concurrency theory;
specification, semantics, verification, and testing of distributed systems.
In general, only original papers will be considered. By virtue of submitting a manuscript to the journal, the authors attest that it has not been published or submitted simultaneously for publication elsewhere. However, papers previously presented in conference proceedings may be submitted in enhanced form. If a paper has appeared previously, in any form, the authors must clearly indicate this and provide an account of the differences between the previously appeared form and the submission.