小说的科学。麦克尤恩的《像我这样的机器》中的人机交互

Q4 Arts and Humanities English Literature Pub Date : 2023-04-13 DOI:10.30687/el/2420-823x/2022/01/008
Silvana Colella
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引用次数: 0

摘要

本文主要关注Ian McEwan的《像我一样的机器》中的人机交互和拟人化。在考虑了小说在科学家,评论家和读者中的接受情况后,第一部分分析了文本中离题的使用,反事实模式,以及它们如何影响人机交互的表现。第二部分探讨了人工智能的神话和现实之间的紧张关系,认为小说提供了对“不诚实的拟人化”的突出评论,同时通过艾伦·图灵的叙事存在展示了机器意识的想法。
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The Science of Fiction. Human-Robot Interaction in McEwan's Machines Like Me
This article focuses on human-robot interaction and anthropomorphism in Ian McEwan’s Machines Like Me. After considering the novel’s reception among scientists, reviewers and readers, the first section analyzes the uses of digression in the text, the counterfactual mode, and how they affect the representation of human-robot interaction. The second section explores the tension between the myth and reality of AI, arguing that the novel provides salient commentary on ‘dishonest anthropomorphism’ while parading the idea of machine consciousness, via the diegetic presence of Alan Turing.
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来源期刊
English Literature
English Literature Arts and Humanities-Literature and Literary Theory
自引率
0.00%
发文量
13
审稿时长
16 weeks
期刊最新文献
“Strange Sight this Congress!”. Byron’s The Age of Bronze (1823) and the Congress of Verona The Science of Fiction. Human-Robot Interaction in McEwan's Machines Like Me Clarissa's Party in the House of the Sleeping Beauties A Study of Memory and Time in Woolf's Mrs. Dalloway and Kawabata's The House of the Sleeping Beauties Anatole France, Oscar Wilde, and James Joyce A Queer Genealogy of “The Dead” “Into the Exquisitely Obscure”: Aestheticism and Fragmentation in Oscar Wilde’s The Picture of Dorian Gray
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