Pub Date : 2023-04-13DOI: 10.30687/el/2420-823x/2022/01/006
Usama M. A. Ibrahim
On the verge of death and in the Autumn of their lives, Clarissa Dalloway, in Woolf’s Mrs. Dalloway, and Eguchi Yoshio, in Kawabata’s The House of the Sleeping Beauties, find themselves facing the existential realization that life has been stripped out of them. The past is all that is left for them, but the present is all they have. They are haunted by the ticking of the cosmic clock, so they resort to their memories to shun death. The apparition of death, nevertheless, reveals itself for both protagonists at the zenith of their celebration of life, and this existential realization is carried out within a Modernist framework in which the narrative style gives meaning to the content of both works.
{"title":"Clarissa's Party in the House of the Sleeping Beauties\u0000 A Study of Memory and Time in Woolf's Mrs. Dalloway and Kawabata's The House of the Sleeping Beauties","authors":"Usama M. A. Ibrahim","doi":"10.30687/el/2420-823x/2022/01/006","DOIUrl":"https://doi.org/10.30687/el/2420-823x/2022/01/006","url":null,"abstract":"On the verge of death and in the Autumn of their lives, Clarissa Dalloway, in Woolf’s Mrs. Dalloway, and Eguchi Yoshio, in Kawabata’s The House of the Sleeping Beauties, find themselves facing the existential realization that life has been stripped out of them. The past is all that is left for them, but the present is all they have. They are haunted by the ticking of the cosmic clock, so they resort to their memories to shun death. The apparition of death, nevertheless, reveals itself for both protagonists at the zenith of their celebration of life, and this existential realization is carried out within a Modernist framework in which the narrative style gives meaning to the content of both works.","PeriodicalId":36548,"journal":{"name":"English Literature","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44723752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-13DOI: 10.30687/el/2420-823x/2022/01/003
Michael F. Davis
This essay re-situates James Joyce’s story “The Dead” in the alternative intellectual genealogy of late-nineteenth-century European religious skepticism, its reexamination of the historical origins of Christianity, and its fresh reinterrogation of the epochal transition between the pre-Christian and the Christian worlds. Taking a cue from Richard Ellmann’s suggestion that it was Anatole France’s “The Procurator of Judea” that inspired “The Dead”, the essay argues that just as France had written a revisionist story about the disappearance of Jesus from the history, so did Joyce write a similar story, about a failed Annunciation and the death of God. Further, the essay identifies Oscar Wilde’s Salome as a twin text of France’s and triangulates it with France and Joyce, showing how Wilde’s play had excavated this same territory and provided a recent Irish precedent for restaging a New Testament dialogue, for redramatizing the contest between female pagan voice and prophetic Christian voice, and for reviving a sustained pagan rhetoric of “the dead”.
{"title":"Anatole France, Oscar Wilde, and James Joyce\u0000 A Queer Genealogy of “The Dead”","authors":"Michael F. Davis","doi":"10.30687/el/2420-823x/2022/01/003","DOIUrl":"https://doi.org/10.30687/el/2420-823x/2022/01/003","url":null,"abstract":"This essay re-situates James Joyce’s story “The Dead” in the alternative intellectual genealogy of late-nineteenth-century European religious skepticism, its reexamination of the historical origins of Christianity, and its fresh reinterrogation of the epochal transition between the pre-Christian and the Christian worlds. Taking a cue from Richard Ellmann’s suggestion that it was Anatole France’s “The Procurator of Judea” that inspired “The Dead”, the essay argues that just as France had written a revisionist story about the disappearance of Jesus from the history, so did Joyce write a similar story, about a failed Annunciation and the death of God. Further, the essay identifies Oscar Wilde’s Salome as a twin text of France’s and triangulates it with France and Joyce, showing how Wilde’s play had excavated this same territory and provided a recent Irish precedent for restaging a New Testament dialogue, for redramatizing the contest between female pagan voice and prophetic Christian voice, and for reviving a sustained pagan rhetoric of “the dead”.","PeriodicalId":36548,"journal":{"name":"English Literature","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45386321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-13DOI: 10.30687/el/2420-823x/2022/01/002
James Vigus
Byron’s satirical poem The Age of Bronze, a ‘hit’ at the Congress of Verona, targets the sycophancy of artists who celebrated the Congress and other manifestations of political power. The Age of Bronze asserts a different, more active and critical task for the artist, than the decorativeness expected within the European Congress system. “I am Diogenes”, states the poet, speaking truth to power in an age of obfuscation. Byron’s biting allusions to prominent public poetry and sculpture are selectively compared with other contemporary satire. The antisemitic terms of Byron’s critique of global financialisation are analysed, as is Byron’s self-conscious undermining of his chosen poetic form.
拜伦的讽刺诗《青铜时代》（The Age of Bronze）在维罗纳大会（Congress of Verona）上大受欢迎，它针对的是那些庆祝大会和其他政治权力表现的艺术家的阿谀奉承。青铜时代对艺术家来说是一项不同的、更积极、更关键的任务，而不是欧洲大会系统中预期的装饰性。“我是第欧根尼”，诗人说，在一个模糊的时代向权力说真话。拜伦对著名的公共诗歌和雕塑的辛辣暗示被选择性地与其他当代讽刺作品进行了比较。分析了拜伦对全球金融化的批判中的反犹太主义术语，以及拜伦对他所选择的诗歌形式的自觉破坏。
{"title":"“Strange Sight this Congress!”. Byron’s The Age of Bronze (1823) and the Congress of Verona","authors":"James Vigus","doi":"10.30687/el/2420-823x/2022/01/002","DOIUrl":"https://doi.org/10.30687/el/2420-823x/2022/01/002","url":null,"abstract":"Byron’s satirical poem The Age of Bronze, a ‘hit’ at the Congress of Verona, targets the sycophancy of artists who celebrated the Congress and other manifestations of political power. The Age of Bronze asserts a different, more active and critical task for the artist, than the decorativeness expected within the European Congress system. “I am Diogenes”, states the poet, speaking truth to power in an age of obfuscation. Byron’s biting allusions to prominent public poetry and sculpture are selectively compared with other contemporary satire. The antisemitic terms of Byron’s critique of global financialisation are analysed, as is Byron’s self-conscious undermining of his chosen poetic form.","PeriodicalId":36548,"journal":{"name":"English Literature","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41700135","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-13DOI: 10.30687/el/2420-823x/2022/01/008
Silvana Colella
This article focuses on human-robot interaction and anthropomorphism in Ian McEwan’s Machines Like Me. After considering the novel’s reception among scientists, reviewers and readers, the first section analyzes the uses of digression in the text, the counterfactual mode, and how they affect the representation of human-robot interaction. The second section explores the tension between the myth and reality of AI, arguing that the novel provides salient commentary on ‘dishonest anthropomorphism’ while parading the idea of machine consciousness, via the diegetic presence of Alan Turing.
{"title":"The Science of Fiction. Human-Robot Interaction in McEwan's Machines Like Me","authors":"Silvana Colella","doi":"10.30687/el/2420-823x/2022/01/008","DOIUrl":"https://doi.org/10.30687/el/2420-823x/2022/01/008","url":null,"abstract":"This article focuses on human-robot interaction and anthropomorphism in Ian McEwan’s Machines Like Me. After considering the novel’s reception among scientists, reviewers and readers, the first section analyzes the uses of digression in the text, the counterfactual mode, and how they affect the representation of human-robot interaction. The second section explores the tension between the myth and reality of AI, arguing that the novel provides salient commentary on ‘dishonest anthropomorphism’ while parading the idea of machine consciousness, via the diegetic presence of Alan Turing.","PeriodicalId":36548,"journal":{"name":"English Literature","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43118407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-13DOI: 10.30687/el/2420-823x/2022/01/007
Paul Melia
Ostensibly, all that connects Robert Tressell's The Ragged Trousered Philanthropists (1914) and Siegfried Sassoon's Memoirs of a Fox-Hunting Man (1928) is that their authors lived in south-east England during the early 1900s and wrote about their experiences. Otherwise, they came from the opposing ends of British society, and their novels were written nearly twenty years apart. That the two works correspond in their portrayals of English society – one as invective, the other as eulogy – is revealing of coeval attitudes, especially of views and behaviour based on social class. Reading other novels and plays of the time shows to what degree concepts of what was socially appropriate held sway over Edwardian fiction.
{"title":"Edwardian Hegemony in Tressell and Sassoon","authors":"Paul Melia","doi":"10.30687/el/2420-823x/2022/01/007","DOIUrl":"https://doi.org/10.30687/el/2420-823x/2022/01/007","url":null,"abstract":"Ostensibly, all that connects Robert Tressell's The Ragged Trousered Philanthropists (1914) and Siegfried Sassoon's Memoirs of a Fox-Hunting Man (1928) is that their authors lived in south-east England during the early 1900s and wrote about their experiences. Otherwise, they came from the opposing ends of British society, and their novels were written nearly twenty years apart. That the two works correspond in their portrayals of English society – one as invective, the other as eulogy – is revealing of coeval attitudes, especially of views and behaviour based on social class. Reading other novels and plays of the time shows to what degree concepts of what was socially appropriate held sway over Edwardian fiction. ","PeriodicalId":36548,"journal":{"name":"English Literature","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48687351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-13DOI: 10.30687/el/2420-823x/2022/01/004
Claudia Coimbra
This paper aims at tracing a link between early literary works, namely via French Décadence, the notion of Art for Art’s Sake and the trope of doubleness, concepts that intertwine both independent self-assertion and the defeat of Man by Nature as these come to be represented in Oscar Wilde’s The Picture of Dorian Gray (1890). The dialogue between coeval aesthetical movements and the complexity of such an oeuvre unveils instances of undeniable influence; on the other hand, it also ascertains the uniqueness of Wilde’s provocative take on beauty and life.
{"title":"“Into the Exquisitely Obscure”: Aestheticism and Fragmentation in Oscar Wilde’s The Picture of Dorian Gray","authors":"Claudia Coimbra","doi":"10.30687/el/2420-823x/2022/01/004","DOIUrl":"https://doi.org/10.30687/el/2420-823x/2022/01/004","url":null,"abstract":"This paper aims at tracing a link between early literary works, namely via French Décadence, the notion of Art for Art’s Sake and the trope of doubleness, concepts that intertwine both independent self-assertion and the defeat of Man by Nature as these come to be represented in Oscar Wilde’s The Picture of Dorian Gray (1890). The dialogue between coeval aesthetical movements and the complexity of such an oeuvre unveils instances of undeniable influence; on the other hand, it also ascertains the uniqueness of Wilde’s provocative take on beauty and life.","PeriodicalId":36548,"journal":{"name":"English Literature","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45411371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-13DOI: 10.30687/el/2420-823x/2022/01/001
Benedetta Burgio
The turn of the eighteenth century was a time in which science and literature were mutually enriching disciplines. Those years witnessed extraordinary advancements in natural philosophy. Newton was the most prominent and influential among the natural philosophers whose thought contributed to the scientific revolution and his work altered dramatically the way in which the universe was understood. His Principia Mathematica (1687) crowned the new tradition of physico-mathematics and contributed to shaping the new trend in natural theology known as physico-theology. Physico-theology was at the crossroads of natural theology and natural philosophy and employed the new science to demonstrate the existence and attributes of God, and it was often given expression in poetry. One of the earliest and most accomplished instances of physico-theological poetry is Sir Richard Blackmore’s Creation (1712), which successfully synthesised the latest scientific theories. Blackmore’s verses have been neglected for centuries and it is the aim of this article to pay critical attention to his accomplishment, in particular regarding Blackmore’s use of the Newtonian physics of the Principia.
{"title":"British Physico-Theological Poetry and Newtonian Physics\u0000 The Use of Principia Mathematica (1687) in Sir Richard Blackmore’s Creation (1712)","authors":"Benedetta Burgio","doi":"10.30687/el/2420-823x/2022/01/001","DOIUrl":"https://doi.org/10.30687/el/2420-823x/2022/01/001","url":null,"abstract":"The turn of the eighteenth century was a time in which science and literature were mutually enriching disciplines. Those years witnessed extraordinary advancements in natural philosophy. Newton was the most prominent and influential among the natural philosophers whose thought contributed to the scientific revolution and his work altered dramatically the way in which the universe was understood. His Principia Mathematica (1687) crowned the new tradition of physico-mathematics and contributed to shaping the new trend in natural theology known as physico-theology. Physico-theology was at the crossroads of natural theology and natural philosophy and employed the new science to demonstrate the existence and attributes of God, and it was often given expression in poetry. One of the earliest and most accomplished instances of physico-theological poetry is Sir Richard Blackmore’s Creation (1712), which successfully synthesised the latest scientific theories. Blackmore’s verses have been neglected for centuries and it is the aim of this article to pay critical attention to his accomplishment, in particular regarding Blackmore’s use of the Newtonian physics of the Principia.","PeriodicalId":36548,"journal":{"name":"English Literature","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46867455","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-13DOI: 10.30687/el/2420-823x/2022/01/005
Pei-Wen Clio Kao
In the literary convention of ‘Blessed Virgin’, female purity and spirituality are most often emphasized, as represented by the Virgin Mary in the Middle Ages and by the Angel in the House in the more secular nineteenth century. The patriarchal idealization of womanhood has deprived it of bodily desires and free will; the Blessed-Virgin women are praised and worshipped at the cost of individuality and sexuality. The Victorian conception of the ‘Angel in the House’ was the manifestation of the dominant patriarchal ideology of the nineteenth century, and was reflected in the works of a great number of male writers. As the heir apparent to the Victorian cultural heritage and the progeny of the Victorian literary forefathers, is James Joyce capable of transcending his own time? Or does Joyce actually expose the workings of ideology and desire in order to subvert such conventions, as some critics have argued? This article aims to rethink the issue of the centuries-old representation of the Blessed-Virgin and to reread James Joyce’s representation of Blessed-Virgin women in his works. The central argument of this paper is to demonstrate the Blessed-Virgin women’s individuality as thinking and desiring subjects, and their agency to influence the male consciousness and to challenge the patriarchal dominance, as exemplified by the feminine characters Gretta (“The Dead”), the Bird-Girl (A Portrait of the Artist as a Young Man), and Gerty (Ulysses), in Joyce’s works.
{"title":"Empowering the Virgin. Rethinking the Agency of the Feminine Characters in James Joyce’s Works","authors":"Pei-Wen Clio Kao","doi":"10.30687/el/2420-823x/2022/01/005","DOIUrl":"https://doi.org/10.30687/el/2420-823x/2022/01/005","url":null,"abstract":"In the literary convention of ‘Blessed Virgin’, female purity and spirituality are most often emphasized, as represented by the Virgin Mary in the Middle Ages and by the Angel in the House in the more secular nineteenth century. The patriarchal idealization of womanhood has deprived it of bodily desires and free will; the Blessed-Virgin women are praised and worshipped at the cost of individuality and sexuality. The Victorian conception of the ‘Angel in the House’ was the manifestation of the dominant patriarchal ideology of the nineteenth century, and was reflected in the works of a great number of male writers. As the heir apparent to the Victorian cultural heritage and the progeny of the Victorian literary forefathers, is James Joyce capable of transcending his own time? Or does Joyce actually expose the workings of ideology and desire in order to subvert such conventions, as some critics have argued? This article aims to rethink the issue of the centuries-old representation of the Blessed-Virgin and to reread James Joyce’s representation of Blessed-Virgin women in his works. The central argument of this paper is to demonstrate the Blessed-Virgin women’s individuality as thinking and desiring subjects, and their agency to influence the male consciousness and to challenge the patriarchal dominance, as exemplified by the feminine characters Gretta (“The Dead”), the Bird-Girl (A Portrait of the Artist as a Young Man), and Gerty (Ulysses), in Joyce’s works.","PeriodicalId":36548,"journal":{"name":"English Literature","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46073884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-21DOI: 10.30687/el/2420-823x/2020/01
{"title":"7 | 2020\u0000 The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature","authors":"","doi":"10.30687/el/2420-823x/2020/01","DOIUrl":"https://doi.org/10.30687/el/2420-823x/2020/01","url":null,"abstract":"","PeriodicalId":36548,"journal":{"name":"English Literature","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42492296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-09DOI: 10.30687/el/2420-823x/2019/01/008
Željka Flegar
In the digital age it has become almost impossible to view children’s texts outside the context of the new media. This study will focus on three works of children’s fiction, The Tale of Peter Rabbit by Beatrix Potter, Where the Wild Things Are by Maurice Sendak, and Fantastic Beasts and Where to Find Them by Newt Scamander/J.K. Rowling; and their respective adaptations, Peter Rabbit, Where the Wild Things Are, and Fantastic Beasts and Where to Find Them. The article draws on contemporary theories of adaptation and the media, particularly the theory of ‘convergence’ and its impact on meaning-making in the production and reception of literary texts. It will take into account the cross-media and transmedia approach to analysing children’s texts, as well as the crossover effect of adapting children’s books into films. Particular attention is paid to the adaptation of still into moving imagery and its shifts in focalisation, providing evidence that the new media have made children’s books accessible to a variety of audiences. Such examples display the contemporary complexity of children’s storytelling and culture within and beyond the canon. Owing to the developments in digital media and technologies, which enable the realistic depiction of complex visual and fantastic elements that are characteristic of children’s texts, in the new millennium children’s literature has indeed become ‘everyone’s business’.
{"title":"Convergence and the Beast: A Canonical Crossover Affair","authors":"Željka Flegar","doi":"10.30687/el/2420-823x/2019/01/008","DOIUrl":"https://doi.org/10.30687/el/2420-823x/2019/01/008","url":null,"abstract":"In the digital age it has become almost impossible to view children’s texts outside the context of the new media. This study will focus on three works of children’s fiction, The Tale of Peter Rabbit by Beatrix Potter, Where the Wild Things Are by Maurice Sendak, and Fantastic Beasts and Where to Find Them by Newt Scamander/J.K. Rowling; and their respective adaptations, Peter Rabbit, Where the Wild Things Are, and Fantastic Beasts and Where to Find Them. The article draws on contemporary theories of adaptation and the media, particularly the theory of ‘convergence’ and its impact on meaning-making in the production and reception of literary texts. It will take into account the cross-media and transmedia approach to analysing children’s texts, as well as the crossover effect of adapting children’s books into films. Particular attention is paid to the adaptation of still into moving imagery and its shifts in focalisation, providing evidence that the new media have made children’s books accessible to a variety of audiences. Such examples display the contemporary complexity of children’s storytelling and culture within and beyond the canon. Owing to the developments in digital media and technologies, which enable the realistic depiction of complex visual and fantastic elements that are characteristic of children’s texts, in the new millennium children’s literature has indeed become ‘everyone’s business’.","PeriodicalId":36548,"journal":{"name":"English Literature","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49143276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：