Akedah作为一种实际的牺牲

IF 0.1 4区 哲学 0 RELIGION Religion and the Arts Pub Date : 2022-12-12 DOI:10.1163/15685292-02605005
Monika Czekanowska-Gutman, Amitai Mendelsohn, Devorah Schoenfeld
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引用次数: 0

摘要

Akedat Yitzhak(《艾萨克的捆绑》)是希伯来圣经中最有力但最恐怖的叙事之一,描述了一场最终没有进行的牺牲,因为艾萨克没有被屠杀。然而,几个世纪以来,犹太注释形成了一个有争议的传统,在这个传统中,艾萨克实际上是被牺牲的。本文追溯了这一传统,从Midrashic文本到希伯来十字军东征叙事,再到现代犹太艺术家的作品。后者描述了在Shoah(Marc Chagall)和以色列土地上的阿以冲突(Abel Pann)的背景下对Akedah的不同解释。在讨论现代犹太文化中对实际牺牲的复杂处理时,本文展示了这些艺术家如何在其艺术生涯的不同阶段进行实际牺牲,以在国家或个人层面上描绘创伤。
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Akedah as an Actual Sacrifice
Akedat Yitzhak (The Binding of Isaac) is one of the most powerful and yet horrifying narratives of the Hebrew Bible, describing a sacrifice which was ultimately not performed, as Isaac was not slaughtered. However, over the centuries Jewish exegesis developed a controversial tradition in which Isaac was in fact sacrificed. This paper traces this tradition from Midrashic texts through Hebrew Crusade narratives into works by modern Jewish artists. The latter offer depictions of the divergent interpretation of the Akedah in the context of the Shoah (Marc Chagall) and in the context of Arab-Israeli conflict in the Land of Israel (Abel Pann). Discussing the complex treatment of the actual sacrifice in modern Jewish culture, the paper demonstrates how these artists engaged with an actual sacrifice at different stages of their artistic career as a way of depicting trauma either on the national or personal level.
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CiteScore
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45
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