卡利马赫对德洛斯赞歌的文本化与档案化

IF 0.9 2区 历史学 0 CLASSICS CLASSICAL ANTIQUITY Pub Date : 2021-10-01 DOI:10.1525/ca.2021.40.2.283
M. Park
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引用次数: 0

摘要

本文提出了一种解读希腊“文学”赞美诗的新方法,即通过“文本化”和“文化档案”的概念,将它们置于当代宗教和文化话语中。我将这个框架应用到卡利马库斯的《提洛斯赞美诗》中并展示这首赞美诗是如何在三世纪爱琴海仪式政治的背景下成为托勒密宗教的重要组成部分,以及它是如何对基克拉迪群岛仪式地理的想象方式产生持久影响的。具体而言,分析重点是赞美诗如何成功地将历史和当代理论合唱活动与基克拉迪群岛的词源化联系起来;它是如何将科斯岛与提洛斯的仪式联系在一起;最后,它如何成为希腊关于提洛岛的文化记忆的重要组成部分。
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Textualization and Archive in Callimachus’ Hymn to Delos
This article argues for a new way of reading Hellenistic “literary” hymns, one that situates them in contemporary religious and cultural discourse through the notions of “textualization” and the “cultural archive.” I apply this framework to Callimachus’ Hymn to Delos and show how this hymn became an important part of the articulation of Ptolemaic religion in the context of ritual politics in the third-century Aegean, as well as how it had a lasting impact on the way that the ritual geography of the Cyclades was imagined. Specifically, the analysis spotlights how the hymn successfully links historical and contemporary theoric choral activity with the etymologization of the Cyclades; how it textualizes the island of Kos within the ritual nexus of Delos; and, finally, how it becomes an important part of Greek cultural memory about Delos.
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CiteScore
1.10
自引率
20.00%
发文量
6
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